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Lecherous Prints
__ ci devant Occupations, or Madam Talian and the Empress Josephine Dancing Naked before
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Susannah and the Elders, 1552-55 (oil on canvas)
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Susanna and the Elders, c.1846-49 (oil on canvas)
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Characteristics of England, Ireland and Scotland (engraving)
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Barney, leave the girls alone, 1850 (oil on canvas)
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The Old Prurient, after a 16th century French engraving by Jaspar Isaac
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Seaside Postcard, c.1910; and Two Cigarette Card Illustrations by Phil May (1864-1903)
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At the Seaside: The Bathing Hour, by Reg Carter, c.1910
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Susannah and the Elders (oil on copper)
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Susannah and the Elders (oil on canvas)
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The Old Man and the Servant, 1800 (oil on canvas)
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The Ill-matched Pair, 1566 (oil on wood)
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A Merry Company (oil on panel)
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Sandwich-Carrots! dainty Sandwich-Carrots
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A Corner near the Bank, or An Example for Fathers
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Susannah and the Elders (oil on canvas)
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Cave of bandits (oil on canvas)
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Susanna and the Elders, 1856 (oil on panel)
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Couple with an Escaped Bird (oil on canvas)
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Susannah accused by the Elders, 1562 (pen & ink on paper)
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Hysterical epilepsy, delirium, lust, plate XXXVI from
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The Connoisseurs, 1799 (hand coloured etching)
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The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners
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The pounding of the corn; Spanish American Scene (oil on panel)
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Susanna and the Elders, 1607 (oil on canvas)
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The Lounge at the Old Print Shop, Oxford (ink & w / c on paper)
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Lot and His Daughters (oil on canvas)
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Prying Eyes (colour litho)
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Susanna and the Elders (oil on canvas)
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Benigne de Cirey and Susanna Bathing, left hand panel from the Story of Susanna (tapestry
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Water-carrier, 1865 (colour litho)
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Evening Consolation, pub. 1785 (hand coloured engraving)
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Lady Godivas Rout, or Peeping-Tom spying out Pope-Joan
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Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before
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Suzanna and the Elders (oil on canvas)
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Susanna and the Elders, central panel from the Story of Susanna (tapestry)
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We gentlemen all love virtuous maidens, caricature depicting a bounder or cad
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Susanna and the Elders (oil on canvas)
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Tavern Scene, c. 1635 (oil on oak)
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The Man of Feeling in search of Indispensibles; a scene at the little French Milliners
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A Market Scene with Fruit and Vegetable Sellers (oil on canvas)
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Lot and his Daughters, 16th century (oil on canvas)
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This Woman has Something I Like... In Her General Appearance!, 1850 (lithograph)
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Englishmen Viewing Pictures on the Grand Tour, 1790 (ink & w / c on paper)
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Lady Godivas Rout - or - Peeping Tom Spying out Pope Joan
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Susanna and the Elders
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Susanna and the Elders, 1610-20 (oil on canvas)
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Cymon and Iphigenia, published May 2, 1796 (etching on wove paper on secondary mount)
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Susanna and the Elders, c. 1650-55 (pen and ink on paper)
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Susannah and the Elders (oil on canvas)
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Susanna and the Elders, c.1620 (oil on copper panel)
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Lust in the Kitchen, from a series of prints depicting the Seven Deadly Sins, c
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Cymon & Iphigenia, published by Hannah Humphrey in 1796 (hand-coloured etching)
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The jester and the young woman, 1520 (etching)
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The Lovesick Old Man, 1553 (oil on panel)
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Susanna and the Elders (oil on canvas)
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Susanna and the Elders (oil on canvas)
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Queen Victoria, Lord Melbourne and Lord Russell (litho)
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Concert, 1626 (oil on canvas)
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Susanna and the Elders, 1555 (etching)
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The Courtesan and the Old Man, c. 1530 (oil on canvas)
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Susanna Bathing (oil on copper)
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The Connoisseurs, c. 1790 (pen, ink and w / c over graphite on mounted wove paper)
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Tess harassed by Alec D Urberville, plate 21 from the monthly serialisation of
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Illustration to Thomas Killigrews poem Letcherie, c. 1664 (engraving)
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Susanna and the Elders, drawn by Lucas Vorsterman, c. 1620 (chalk, pen & ink on paper)
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Susanna and the elders, engraved by Pietro Monaco, c. 1740 (engraving)
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The Breakfast, from Scenes at Bath (w / c & ink and graphite on paper)
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