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Hunched Prints
I Am Still Learning (Aun Aprendo) (charcoal on paper)
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Comfort to the Corns, pub. 1800 (hand coloured engraving)
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An opium den in Central Asia, illustration from The World in the Hands
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Eyes Front! Title page from L'Assiette au Beurre, 25 January 1902 (colour engraving)
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Hunched Figure (ceramic)
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The Ghost of Christmas Past: Scrooge at the Schoolhouse
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The Good Samaritan, 1846 (oil on canvas)
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The Smithy (oil on panel)
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Full length Portraits of Wrestlers of the Eastern Group
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Nomoli figure, southern Sierra Leone (stone)
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Nomoli figure, southern Sierra Leone (stone)
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Little girl with apple (oil on canvas)
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Female nude bent forward, both hands on the left thigh, 1913 (pencil on paper
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The Jester; Le Bouffon, 1868 (oil on canvas)
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Seated Woman; Femme Assise, (blue wash and pencil on paper)
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Circus Traveller, 1902 (litho)
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Composition, 1920 (w / c on paper)
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Souls on the bank of the Styx (pencil on paper)
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Portrait of a Woman (woodcut)
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Portrait of a Peasant Woman, 1898-99 (charcoal on cream wove paper)
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Two Soldiers, one seated on a ledge holding a cane, c.1656-57 (etching on laid paper)
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Youth and Age, 1923 (egg tempera)
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Sketch with a figure and a dog (charcoal on paper)
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Gave her Daughter-in-law a Piece of her Mind (mixed media on paper)
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Figure of a dog (amber)
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Comfort to the Corns, published by Hannah Humphrey in 1800 (hand-coloured etching)
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The Crown & Anchor Libel burnt by the Public Hangman, published by Hannah Humphrey in
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A Colima figure, c. 100 BC-250 AD
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Study of a Female Nude, c. 1908-1909 (pencil on buff paper)
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Trotty Veck - The Chimes, c. 1920s (pen & ink with w / c on paper)
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Nude Study of Pope Pius VII Seated, c.1805-06 (black crayon over graphite on paper)
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Black-crowned Night Heron in Snow, 1930s (colour woodblock print)
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Costume design for The Devil in Love, a ballet after the original work by
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Study of a blind Beggar, c. 1511 (chalk on paper)
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Misery, Mexico City, 1928 (b / w photo)
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Self portrait (oil on paper laid down on board)
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Going into Hell, 1866 (woodcut)
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A Study of Rodins Danaid in his Studio (charcoal on paper)
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A Porter of Goods, 1865 (colour litho)
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The Blind Pedlar (oil on canvas)
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Seated Child, 1916 (pencil on paper)
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The Artists Mother Sewing by the Window (w / c)
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Two nudes (pencil on paper)
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From Paintings in Old Imperial Palace, 1644-1912 (hand-coloured etching)
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Death with Two Children Carried on his Scythe, 1915 (etching on paper)
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Noreddin Ali Leaving Cairo, (watercolour, gouache and pencil)
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Pussey Cat, c. 1817 (w / c & bodycolour)
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Plate 558. Paraplegia; Partial; Walking, 1885 (collotype on paper)
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Plate 555. Muscular Atrophy of Legs; Adult, A, B, Walking, 1885 (collotype on paper)
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The Sense of Feeling (oil on wood)
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Nude with Pink Shirt; Nu a la Chemise Rose, 1926 (oil on canvas)
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Human effigy urn, 600-900 (ceramic)
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Souls on the Bank of the Styx, 1873 (pencil on paper)
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Zindan prison, with inmates and a guard with Russian rifle, uniform, and boots
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Profile study of an old man, c. 1880 (oil on canvas)
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Portrait of Jean Philippe Rameau (1683-1764) (engraving)
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William Elliot, c. 1770 (oil on canvas)
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The Old Man and the Nursery Garden, 1883 (w / c on paper)
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The Porter Il Facchino (engraving)
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A Respectable Man Begging for Coins to Make a Charm to Put Round his Sick Childs Neck
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Portrait of Sir Joseph Banks, (1743-1820) 1810 (oil on canvas)
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Cut the Old (Parten la vieja), c. 1810 (sepia wash)
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Spanish Beggars from Burgos, Spain in the 19th century, 1878 (wood engraving)
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Caricature of William Gladstone
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Illustration from Dantes Divine Comedy, Paradise, Canto IX, 1921
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