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Hogarth Prints
Advert for Ellis Gamble, Goldsmith (engraving)
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The Indian Emperor, 1792 (engraving)
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A club of artist's (etching)
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Foundling Hospital London, receipt signed by William Hogarth, 1697-1764, English artist
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Henry Fielding, 1707 - 1754. English novelist and dramatist
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France, Plate I of The Invasion, 1756 (engraving)
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Second stage of Cruelty, 1751 (engraving)
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Cruelty in Perfection, 1751 (engraving)
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After, c. 1730-31 (oil on canvas)
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The Reward of Cruelty, 1751 (engraving)
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Before, c. 1730-31 (oil on canvas)
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Before, 1736 (etching) (b / w photo)
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Burning ye Rumps at Temple-Barr, c. 1725 (engraving)
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After, 1736 (etching) (b / w photo)
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Marriage a la Mode, Plate VI, The Ladys Death, 1745 (engraving)
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Marriage a la Mode: VI, The Ladys Death, c. 1743 (oil on canvas)
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First Stage of Cruelty, 1751 (engraving)
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William Hogarth, from Living Biographies of Great Painters
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After, c. 1730-31 (oil on canvas)
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Hogarths Altarpiece - Sealing the Tomb (pen & ink on paper)
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Nave of St Mary Redcliffe, looking East with the Hogarth Altarpiece
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Portrait of Samuel Martin, Bust Length, in a Pink Coat, White Stock
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Hogarth Brought Before the Governor of Calais as a Spy, 1851 (oil on canvas)
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Elysium, or the State of Final Retribution
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The March of the Guards to Finchley, 1750 (oil on canvas)
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The Distrest Poet, 1741 (etching)
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A Scene from The Beggars Opera, 1728-29 (oil on canvas)
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Jack in Newgate Ward having portraits taken by Sir James Thornhill & William Hogarth
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The Edwards Hamilton Family (oil on canvas)
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Before, c. 1730-31 (oil on canvas)
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The Bench, 1753-54 (oil on canvas backed onto panel)
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Marriage a la Mode (Plate II), 1768 (engraving)
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Hogarths Altarpiece - Angel at the Tomb (pen & ink on paper)
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Hogarths Altarpiece - The Ascension, 1824 (pen & ink on paper)
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View of Centre Aisle of St Mary Redcliffe, looking East, showing the Hogarth altarpiece
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Dr Thomas Morell the scholar and printer He is noted for being a librettist
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Old Vauxhall - from the original cartoon, pub. 1933 (litho)
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March of the Guards to Finchley, 1750 (oil on canvas)
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Strolling Players rehearsing in a Barn, engraved by G Presbury, from The Works of
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The Harlots Progress ensnared by a procuress
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The Fire of Faction, 1762 (engraving)
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Leicester Square, 1754 (engraving)
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View of Leiceter Square London, 1753 (engraving)
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Leicester Square, 1753 (engraving)
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