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High Renaissance Prints
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Maiolica dish, Apollo slaying the Sons of Niobe- Shape approximately 64 with plain rim
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Leaf from a Book of Hours: The Mass of St Gregory, c. 1485-94 (parchment)
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Detail of Moses from the tomb of Julius II, 1515 (marble)
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The myth of Ceres, detail of the Altoviti ceiling, 1553 (fresco)
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David and Goliath (oil on canvas)
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Portrait of a Lady, three-quarter-length, in a burgundy dress with slashed sleeves
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The Dream of Alessandro Farnese (oil on canvas)
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Allegory of Astronomy
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An angel, detail of the painting depicting the Coronation of the Virgin
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Statue representing Day, part of the monument to Giuliano De Medici Duca di Nemours
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Triton and Nereid; drawing by Raphael. Gallerie dell Accademia, Venice
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Study for the St. Paul of the altar-piece of Bologna; drawing by Raphael
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Study for the face of the Redeemer, drawing by Raphael. Gallerie dell Accademia, Venice
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Study for a window of the vestibolo'of the Laurentian Library;drawing by Michelangelo
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Architectonic study of a door; drawing by Michelangelo. Casa Buonarroti, Florence
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Study of a virile figure seen from the back
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Study for a Madonna and Child; drawing by Michelangelo. Casa Buonarroti, Florence
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Study of drapery and male portrait; drawing by Andrea del Sarto
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Study of a human figure, drawing by Raphael
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Study of female heads, drawing by Raphael; Gabinetto dei Disegni e delle Stampe
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Head of the prophet Zachariah
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Study of a draped virile figure; drawing by Leonardo da Vinci
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Landscape of the Arno Valley, pen on paper
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Fortune, 1550-60
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Study for the head of St. John (child) of the Holy Family
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Study for the Adoration of the Magi; drawing by Leonardo da Vinci. The Louvre, Paris
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Male nude; drawing by Michelangelo. The Louvre, Paris
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Madonna and Child; drawing by Michelangelo. The Louvre, Paris
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Young Boy Praying
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Study for three feminine heads; drawing by Raphael. Gallerie dell Accademia di Venezia
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A door; drawing by Michelangelo. Casa Buonarroti, Florence
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Study for a devils head, drawing by Michelangelo. Casa Buonarroti, Florence
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Preparatory sketch for the Last Judgment in the Sistine Chapel; drawing by Michelangelo
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The tomb of Pope Julius II, preparatory drawing by Michelangelo
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Adoration of the Shepherds
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Portrait of an old nobleman
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Portrait of a nobleman
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The Drunkenness of Noah, detail from the Sistine Chapel ceiling, 1508-12 (fresco)
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Isaiah, detail from the Sistine Chapel ceiling, 1508-12 (fresco)
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Persian Sibyl, detail from the Sistine Chapel ceiling, 1508-12 (fresco)
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Muses, Seasons, Caryatids and the bust of Minerva or Mars
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Adoration of the Shepherds (fresco)
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Madonna and Child
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Two female heads
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Structures in a landscape
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Study for a Virgin and Child; drawing by Raphael. The Louvre, Paris
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The Rape of Ganymede, after Michelangelo (chalk on paper)
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View of St. Peters Square, Rome (oil on canvas)
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Imaginary Self Portrait of Titian (oil on canvas)
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Mercury (bronze) (see also 2967763-5)
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Sistine Chapel: The Last Judgement, 1538-41 (fresco) (pre restoration)
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Rondanini Pieta, 1564 (marble) (see also 121822)
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Saint Ansano Baptizing the Sienese, c.1593 (chalk on paper)
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A palace (pen & ink on paper)
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San Pietro in Montorio, the site of St. Peters martyrdom
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Clement VII seated at a table (pen & ink on paper)
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A male nude seen from behind (chalk on paper) (recto of 433457)
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Anatomic Horse study, 1504 (pen & ink on paper)
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Study for the Ceiling of the Laurentian Library, 1524 (pen & ink on paper)
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Figure study with writing, c. 1511 (pen & ink on paper)
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Study of a back and shoulder (pen & ink on paper)
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Design for a (?)Relic Chamber, 16th century (red chalk on paper)
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Study of a seated male nude, c. 1511 (black chalk on paper)
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Study of a male nude, c. 1511 (pen & black chalk on paper)
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The Exterior of St. Peters Basilica in Rome, from
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Portrait of Grand Duchess Bianca Capello de Medici with Her Son, c
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Armorial cassone, Rome, late 16th / early 17th century (walnut)
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Portrait of Sebastiano del Piombo
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Studies of Nudes (red chalk on paper)
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Averoldi Polyptych, panel depicting the Martyrdom of St
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Dusk and Dawn from the Tomb of Lorenzo de Medici, designed 1521, carved 1524-34 (marble)
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Study of a man with a tortoise[?] on a lead / part of a palm tree / a caricature head
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Crucifix, c. 1492-94 (polychrome wood)
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Young archer, c. 1490 (marble)
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Sheet of studies caricaturing the post-Raphaelesque style, 1853 (pen & ink on paper)
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Mercury, 1564 (bronze)
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Study for a battle scene, 1518-20 (pen & ink, wash and chalk on paper)
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Figure of the crucified Christ, cast from a model by Giambologna
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The Madonna del Popolo, after Barocci (black chalk with brownish wash on beige paper)
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The Phrygian Sibyl (red chalk with some black chalk on buff paper)
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The Virgin and Child (silverpoint, heightened with white bodycolour on a slate grey
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Studies for Two Kneeling Women (black chalk)
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Studies for Two Kneeling Women (black chalk)
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Three Nude Bearers (pen and brown ink over grey chalk outlines with red chalk on white
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