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Experiments Prints
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David Garrick with William Burton and John Palmer in The Alchemist by Ben Jonson
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Chemical Lectures, c. 1809 (engraving) (b / w photo)
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Branly unlocks the door for Marconi
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Submarine Lamps to light up harbour channels
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Experiments with a thermometer
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Louis Pasteur takes air samples from glass balloons, 1897 (illustration)
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Henri de France in studios for technical tests. 1936 (b/w photo)
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Carl Wilhelm Scheele
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Walter Reed (1851-1902) American army surgeon and bacteriologist
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Claude Bernard, 1850
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Plate from Luigi Galvani De Viribus Electricitatis
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Blaise Pascal (1623-1662) French mathematician, physicist and religious philosopher
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Michelson-Gale-Pearson experiment, 1925 (engraving)
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Charging retorts at the Gas Light Establishment, Brick Lane, London, 1822 (aquatint)
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Von Guericke's demonstration of the power of a vacuum
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Demonstration of the strength of a vacuum
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Barometers used for experiments at the Accademia del Cimento c1666
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Experiment designed to show that air has weight
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Title page of Experimenta Nova
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Air pump built for Robert Boyle (1627-91) by Robert Hooke
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Replica of Marconi's first transmitter used in his early experiments in Italy
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Nikola Tesla (engraving)
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Miss Margaret D. Foster, Uncle Sam's only woman chemist, 1919 (b/w photo)
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The Wright Brothers testing their new airplane at Kitty Hawk, North Carolina, 1903 (litho)
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The Anatomy Lesson of Doctor Joannes van Buyten in the Surgeon's Room in Antwerp
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The Reward of Cruelty, a lesson in anatomy in 1750 by Hogarth (engraving)
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Leather protection masks used during an oxidation experiment (steel, eather, lens)
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Captain Reynaud experimenting with carrier pigeons aboard the liner La Bretagne
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Experience of Jouffroy d'Abbans (1783), the paddle steamer on the Saone, 1900 (print)
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Homing pigeons experiences, 1898 (engraving)
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Louis Pasteur in his laboratory, 1885 (oil painting)
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GUERICKE Otto, German scientist, inventor, mathematician and physicist (oil painting)
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Dead of Franz Reichelt trying his parachute suit by jumping from the Eiffel Tower
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Apparatus used for experimenting the inductive actions, 18-19 th century
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Experience of lightning rod, 10 May 1752 by Thomas Francois Dalibard in Marly
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Express ion of terror, 1854-1856, printed 1862 (photo)
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Gaiety expressed by the ideas of lus tfulness
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Pain and des pair, 1854-1856, printed 1862 (photo)
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s cornful dis gust (left); scornful laughter (right), 1854-1856, printed 1862 (photo)
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Painful memories, 1854-1856, printed 1862 (photo)
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Attention, attentive gaze (left); Painful attention (right)
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Attention, 1854-1856, printed 1862 (photo)
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Gaspari Aselli discovering lymphatic net, 19th century (engraving)
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Michael Faraday at work in his laboratory in the Royal Institute, 1850 (watercolour)
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Extract from a Da Vinci Manuscript describing the construction of a Revolving Bridge (manuscript)
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Extract from a Da Vinci Manuscript describing the principle and the construction of a Pile Drive (Pile Mallet)
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Extract from a Da Vinci Manuscript
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Surprise, 1854-1855, printed 1862 (photo)
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Astonishment, stupefaction, amazement, 1854-1856, printed 1862 (photo)
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Discontent, bad humor, 1854-1856, printed 1862 (photo)
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A relaxed face (left); False joy or laughter (right), 1854-1856, printed 1862 (photo)
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Painful recollection or painful thoughts, 1854-1856, printed 1862 (photo)
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Aggression, wickedness, 1854-1856, printed 1862 (photo)
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Extract from a Da Vinci Manuscript describing the principle
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Extract from a Da Vinci Manuscript describing the principle and the construction of a Sea Dredge (manuscript)
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Extract from a Da Vinci Manuscript describing the principle
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Jean-Francois Pilatre de Rozier, 18th century (engraving)
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Electrostatic generator, 1753, engraving from Lettres sur l'electricite
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Acoustic Telegraph Experience by Dom Gauthey, 19th century (engraving)
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This contraction of m. platysma alone lacks expression, 1854-1856, printed 1862 (photo)
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A relaxed expression (left); Disgust (right), 1854-1856, printed 1862 (photo)
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A false, incomplete expression of agreeable surprise
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Extreme pain, the head of Christ (left); Memory of love or ecstatic gaze (right)
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Attention (left); Severity, aggression (right), 1854-1856, printed 1862 (photo)
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Dissatisfaction, somber thoughts (left); Reflection (right)
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A portrait, seen in profile, of a man 42 years old
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Slight lowering of the angle of the mouth due to depression (left); False laughter (right)
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The muscle of attention (left); Eyebrow contraction due to bright light (right)
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A relaxed face (left); Profound attention (right), 1854-1856, printed 1862 (photo)
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