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Eerie Prints
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A Sailors Delight (oil on canvas)
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The Nightmare, 1881 (charcoal on paper)
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Nightmare; Cauchemar, 1901 (pencil, ink and w / c on paper)
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Message Found in a Bottle, 1918 (pencil, pen and black ink, on vellum)
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Self-portrait with Model (Fragment); Selbstbildnis mit Modell (Fragment)
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Le Poete Assailli, 1929 (oil on canvas)
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Oviri, 1894 (watercolour monotype heightened with gouache on Japan paper)
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St, (oil on canvas)
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Fish Mongers, (oil on canvas)
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Head; Tete, 1914 (oil on canvas)
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Female Head; Tete de Femme, 1896 (Female pencil on paper)
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Faces in the City, c. 1925 (watercolour and pen and ink on paper)
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Saint Georges, c. 1905 (pastel on paper mounted on board)
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Melrose Abbey: An Illustration to Sir Walter Scotts
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Drapery Study for a kneeling figure, (brush and brownish-grey distemper heightened with
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The Head of Medusa, and the Head of a Satyr, (black chalk, pen and brown ink
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Archangel Michael (painted plaster) (detail of 3469323)
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Portrait Head from a Coffin, c. 100-150 (Plaster with traces of paint)
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Le Stryge, 1853 (etching on laid paper)
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Arthur in the Gruesome Glen (oil on canvas)
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Charnel house post, 500-1000 (wood)
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A Foregathering of Witches, 4 (w / c with wash & ink over graphite on paper)
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The Helen Gould estate (late Jay Gould residence) at Tarrytown, New York
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La Mort de Matamore (etching)
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The Burbanche Marsh (large plate), c.1870 (etching)
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The Vampire by Charles Negre, 1853 (print from a wax paper negative)
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Imaginary Landscape, after 1600 (oil on copper)
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Dovedale by Moonlight, c. 1784-85 (oil on canvas)
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A Head (ink on paper)
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Moonrise (pen & ink and wash on paper)
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Moonlit Street Scene, 1882 (oil on canvas)
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Design for the stage curtain for a performance of Hamlet
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Ruins, scenery design for a performance of Macbeth
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View from Greenwood Cemetery, Brooklyn, 1881 (grisaille ink and wash on paper)
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And scarcely had he Maggie rallied When out the hellish legion sallied
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Absolution through Reincarnation, illustration from Nos Invisibles
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Apparition, illustration for a literary work by Edmond Rostand (1868-1918) (oil on canvas
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Poster advertising the Parr English Pad (colour litho)
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The Fairy Dance (oil on canvas)
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Memory of a Castle in the Vosges, 1857 (pen & ink, wash and gouache on paper)
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The Homestead, 1937 (linocut)
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Twilight in the Woodlands, 1850 (oil on paper laid down on canvas)
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Witches and wolves, illustration for The Damnation of Faust
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The Little Brown House, Passy, c. 1928 (oil on canvas-board)
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Breton Port by Moonlight; Port Breton au Clair de Lune, (oil on canvas)
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Two Horses and a Sleeping Groom, c. 1822-1823 (black lead, pen and brown ink
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Square House; Maison carree, c. 1882-1884 (crayon on paper laid down on board)
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The Three Witches appearing to Macbeth and Banquo, 1800-1810 (oil on canvas)
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Man with Moustache, Profile, c. 1911-12 (tempera)
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Miss May Belfort, 1895 (peinture a l essence, gouache on paper laid down on canvas)
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Design for a Frieze: The Dead, Oar d by the Dumb
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An Illustration to Rip van Winkle: They Were Ruled by an Old Squaw Spirit
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A Moonlit Lake by a Castle
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Orpheus Leading Eurydice from the Underworld, 1861 (oil on canvas)
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Hamlets father appears to him, from Hamlet by William Shakespeare
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Enchanted (colour litho)
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The Old Hall, Fairies by the Moonlight (w / c on paper)
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Asleep in the Moonlight (coloured engraving)
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Nobody under the bed... 1915 (colour litho)
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The Haunted Chateau, Grez-sur-Loing, 1896 (oil on canvas)
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The Perils of the Sea, 1888 (etching)
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Tam O Shanter (oil on canvas)
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Lady bountiful
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Old Sycamore (pastel on paper)
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Sir Lancelot Approaching the Castle of Astolat (gouache and pen & ink
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Macbeth (etching)
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Mephistopheles dans les airs (frontispiece from Faust), 1828 (litho on chine colle)
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Supposed Crypt of the Church, which formerly stood at the corner of High Street
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Cottage in the Countryside, 1871 (oil on canvas)
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Moonlight on the Biesboch, 1887-89 (etching & drypoint)
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The Legend of the Invisible City of Kitezh, 1917-22 (oil on canvas)
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The Mail Coach in a Thunderstorm, engraved by R. G. Reeve, 1827 (colour litho)
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Elaine, 1877 (oil on canvas)
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Spirit of the Mountain (w / c on paper)
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Landscape Head (oil on canvas)
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Set design for a production of Hamlet (Act One) at the Comedie Francaise
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Tibet, 1936 (tempera on canvas)
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Lady Macbeth Sleepwalking, illustration from Macbeth
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A Foregathering of Witches (w / c with wash over graphite on paper)
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The Devils Pool in the Bois de Chanteloup, 1844
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The Hotel Woodward, Broadway and 55th Street, New York, 1920 (silver gelatin print)
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The Haunted House, Thornton Road, 1920 (w / c on paper)
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Street in Fontarabie (oil on canvas)
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Low Tide by Moonlight, 1874 (oil on board)
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