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Drunk Prints (#8)
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Genesis 9 20-27 Noah covered with a cloak by his sons Shem, Ham and Japeth
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Country Pub Brawl (panel)
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Lot and his Daughters (panel)
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A Village Festival with a Theatrical Performance and a Procession in Honour of St Hubert
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The Life of Man, c. 1665 (oil on canvas)
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Drinkers, 1922 (oil on canvas)
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A Rustic Youth (oil on canvas)
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A Village Festival, Peasants Merrymaking Outside an Inn, early 1650s (oil on canvas)
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Progress of Inebriety (wax)
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The Race Meeting, or The Gambler, 1853 (Pen and black ink on off-white paper)
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The Drunkenness of Noah, c. 1483-95 (hand-coloured woodcut)
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The Tired Drinker (oil on panel)
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The Drunken Couple, c. 1655-65 (oil on panel)
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Peasants in a Tavern, c.1662 (pen & ink with wash on paper)
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Delicious Dreams: Castles in the Air! - Glorious Prospects!, pub
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A Recruiting Sergeant of the 33rd Regiment of Foot, 1814 (coloured aquatint)
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Twilight Charlie, Front Cover of Beadles New York Dime Novel
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Drunken Silenus, c.1640 (oil on canvas)
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Pierrot, Columbine and Punchinello; Pierrot, Colombine et Polichinelle, (oil on canvas)
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The Drinkers, c. 1860 (w / c, pen & ink, & charcoal on cream laid paper)
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Conviviality Near the Inn, c. 1650 (oil on canvas)
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The Old Drinker, c. 1661-3 (oil on panel)
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Apothecaries, Taylors, etc. conquering France and Spain, pub
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Nil Amplius Opto I am at the Summit of my Wishes, pub
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Selections from Seymour: No. 2, Why Sarah your drunk! I m quite ashamed o you
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The drunkards progress, or the direct road to poverty, wretchedness, & ruin
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After the Hunt, 1729 (oil on canvas)
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A Bacchanal with a Wine-Press, c. 1475 (engraving)
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Young Lovers, (oil on canvas)
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Sleeping journeyman at a Munich inn, Munich, 1857 (oil on canvas)
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Two Drinkers, c. 1857-69 (w / c, pen & black ink and gouache on paper)
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Noahs Ark triptych (oil on wood)
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Enlistment of Sickles Brigade, c. 1880-90 (etching)
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The Drunkards Legacy, illustration from Chap-books of the Eighteenth
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The Laughing Toper, 18th century (oil on canvas)
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The Military Adventures of Johnny Newcombe, with an Account of his Campaign
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The King Drinks (oil on panel)
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The Times, pub. by H. R. Robertson, New York, 1837 (colour litho)
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The Yard of an Inn (oil on canvas)
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Sculpture group of Dionysus and a satyr, after a Hellenistic original (marble)
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Monks in a cellar, 1873 (oil on canvas)
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March of the Guards to Finchley, 1750 (oil on canvas)
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An Allegory of Abundance (oil on copper)
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Dionysus, 1890 (bronze)
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The last feast of Robert de Comines men at Durham, 1069
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Meissen figure of the Welsh Tailor, late 19th / 20th century (porcelain)
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The Wine Harvest (oil on canvas)
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The Bean Feast, 1668 (oil on canvas)
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The triumph of Silenus (bronze) (see also 252697)
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A gambler accuses a fellow gambler of cheating, c. 1880 (engraving)
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Statue of an old drunken woman holding a wineskin (marble)
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He and His Drunken Companions Raise a Riot in Covent Garden, 1735 (engraving)
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Tavern scene (tempera on panel)
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The Bottle, Plate II, He is discharged from his employment for drunkenness
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The Dancing Rooms, plate 3 of The Drunkards Children, 1848 (engraving)
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Lot and his Daughters, c. 1630 (oil on canvas)
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The Galleria di Carracci (Carracci Hall) detail of the Triumph of Bacchus
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Attic red-figure vase depicting a Dionysian scene (pottery)
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Banquet hosted by the officers of the French Gardes du Corps for the officers of
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Peasant Dance, 1568 (oil on panel) (detail of 68947 and 186442)
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Johnny and his Fair Bride Reveling in Jollity and Festive
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British Plenty, engraved and pub. by Charles Knight (1743-c
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Bacchus, 1636-40 (oil on canvas transferred from panel)
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Lot and his Daughters, 1550s (panel)
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The Drunkards Progress, from the First Glass to the Grave, 1848 (litho)
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Sleeping woman in blue, 1903
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Promotional Calendar for Pfungst Freres Champagne, illustrating Bacchus seated on a
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Duke Williams Ghost, published by Hannah Humphrey in 1799 (hand-coloured etching)
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Intoxicated Lady at a Window, late 18th century (opaque w/c & gold on paper)
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Les Deux Buveurs (oil on canvas)
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God Save the King- in a bumper, or An Evening Scene Three Times a Week at Wimbleton
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Vices Overlook d in the New Proclamation, published by Hannah Humphrey
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The Feast of Reason, & the Flow of the Soul - i. e. The Wits of the Age
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Twelfth Night, 17th century (oil on canvas)
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The Merry Drinkers, 1659 (oil on panel)
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Drunken Silenus at the wine vat, before 1652 (etching & engraving
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Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse
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Man and Woman drinking eau de vie, (pastel on paper)
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Victorian Christmas card titled The Christmas Wine
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James Gordon, a notorious Cambridge drunk
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Nadie nos ha visto (No one has seen us), plate 79 from the series
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Evening and in High Spirits, a scene at Longs Hotel, Bond Street
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Oxford Transports, or University Exiles, from The English Spy
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Quai de la Ferraille, 19th Century (b / w engraving)
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