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Distraction Prints
Vision of St Augustine (also called St Augustine in his Studio) (oil on canvas)
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Ulysses and the Sirens, 1909 (oil on canvas)
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The Button Maker, 1770 (engraving)
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The Eavesdropper, 1655-59 (oil on canvas)
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Portrait of Winifred Roberts, c.1913 (w/c on paper)
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A pickpocket distracting his victim
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A cut-purse
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Clerk, Bookkeeper or accountant struggling to concentrate as he notices a woman in a window opposite him
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Gipsy (oil on copper)
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Siegfrieds death, illustration from Siegfried and the Twilight of the Gods
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A Welcome Distraction, (oil on panel)
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A pickpocket distracting his victim
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Farmhouse interior, 1875 (oil on canvas)
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A projected Invasion of England, reproduction of French print from 1803 (print)
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Careless Attention, early 19th century (pen & ink and w / c on paper)
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The Guard Room (oil on canvas)
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The Hare and the Tortoise, illustration for Fables of La Fontaine
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How Chinese Maninkins on a wall save a town, illustration from
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Looking at the Comet till you get a Criek in the Neck, 1811 (hand-coloured engraving)
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Crosslights, 1913 (oil on canvas)
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All Talk and No Work, 1855-56 (oil on canvas)
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A Harlots Progress, plate II, illustration from Hogarth Restored
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Dancers with Yellow Dresses; Danseuses jupes jaunes, c. 1896
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Innocence Tormented by Love; Innocence Tourmentee par l Amour
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In the House of Dr. Bartolo, a scene from Beaumarchais comedy
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The Cogent Reason, plate four from Intimacies, 1898 (woodcut)
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As a deer scratches its antlers with its foot, a hunter, with both feet forward
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Loves Distraction, 1880 (oil on canvas)
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Waiting, 1885 (oil on canvas)
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The Minotaur, illustration to the Divine Comedy by Dante Alighieri
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Daydreaming (oil on canvas)
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A Harlots Progress, Plate Two: Quarrels with her Jew Protector
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A Harlots Progress, plate II, Quarrels with her Jew Protector (engraving)
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Girl interrupted at her music, c. 1658-69 (oil on canvas)
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A Harlots Progress, plate II, from The Original and Genuine Works of William Hogarth
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