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Dissolute Prints

Dissolute Prints: Dilettanti Theatricals, or A Peep at the Green Room, published by Hannah Humphrey in 1803

Dilettanti Theatricals, or A Peep at the Green Room, published by Hannah Humphrey in 1803
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Dissolute Prints: Ibant qui poterant, qui non potuere cadebant (Those who could

Ibant qui poterant, qui non potuere cadebant (Those who could
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Dissolute Prints: Returning from Brookss, 1784 (colour etching)

Returning from Brookss, 1784 (colour etching)
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Dissolute Prints: Earl of Rochester and his dissolute friends staging a Dance of Death at Saint Paul's during the Plague of London

Earl of Rochester and his dissolute friends staging a Dance of Death at Saint Paul's during the Plague of London
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Dissolute Prints: 191213

191213
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Dissolute Prints: Bandelures, published by S. W. Fores in 1791 (etching)

Bandelures, published by S. W. Fores in 1791 (etching)
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Dissolute Prints: Fatigues of the Campaign in Flanders

Fatigues of the Campaign in Flanders
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Dissolute Prints: The Bottle, Plate III

The Bottle, Plate III
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Dissolute Prints: Madame de Merteuil seducing Cecile Volange

Madame de Merteuil seducing Cecile Volange
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Dissolute Prints: Valmont and Emilie

Valmont and Emilie
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Dissolute Prints: Valmont seducing Madame de Tourvel

Valmont seducing Madame de Tourvel
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Dissolute Prints: John Wilmot (1647-80) 2nd Earl of Rochester, c. 1665-70 (oil on canvas)

John Wilmot (1647-80) 2nd Earl of Rochester, c. 1665-70 (oil on canvas)
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Dissolute Prints: Marriage a la Mode, Plate II, The Tete a Tete, illustration from Hogarth Restored

Marriage a la Mode, Plate II, The Tete a Tete, illustration from Hogarth Restored
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Dissolute Prints: The Jersey Smuggler detected, or Good cause for Separation

The Jersey Smuggler detected, or Good cause for Separation
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Dissolute Prints: Exaltation of Faros Daughters, pub. 1796 (hand coloured engraving)

Exaltation of Faros Daughters, pub. 1796 (hand coloured engraving)
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Dissolute Prints: A dandy being courted by two masked women, from the series Le Bon Genre

A dandy being courted by two masked women, from the series Le Bon Genre
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Dissolute Prints: The Right Honourable Catch Singers, published by William Humphrey in 1783

The Right Honourable Catch Singers, published by William Humphrey in 1783
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Dissolute Prints: The Morning after Marriage, or A scene on the Continent, published by W

The Morning after Marriage, or A scene on the Continent, published by W
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Dissolute Prints: The Match Girl, 1834 (oil on canvas)

The Match Girl, 1834 (oil on canvas)
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Dissolute Prints: The Presentation, or Wise Mens Offering, published by Hannah Humphrey in 1796

The Presentation, or Wise Mens Offering, published by Hannah Humphrey in 1796
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Dissolute Prints: The Royal Joke, or Black Jacks Delight, published by S. W

The Royal Joke, or Black Jacks Delight, published by S. W
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Dissolute Prints: The Loss of the Faro Bank, or The Rooks Pigeon d

The Loss of the Faro Bank, or The Rooks Pigeon d
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Dissolute Prints: The Wanton Student, 1678 (oil on oak)

The Wanton Student, 1678 (oil on oak)
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Dissolute Prints: Modern Hospitality, or A Friendly Party in High Life, published by Hannah Humphrey in

Modern Hospitality, or A Friendly Party in High Life, published by Hannah Humphrey in
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Dissolute Prints: Lady Godivas Rout, or Peeping-Tom spying out Pope-Joan

Lady Godivas Rout, or Peeping-Tom spying out Pope-Joan
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Dissolute Prints: As the Old Sing, so Pipe the Young, c. 1663-5 (oil on canvas)

As the Old Sing, so Pipe the Young, c. 1663-5 (oil on canvas)
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Dissolute Prints: The Return from the Meeting, 1863 (oil on canvas)

The Return from the Meeting, 1863 (oil on canvas)
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Dissolute Prints: Card Players, c. 1645 (oil on panel)

Card Players, c. 1645 (oil on panel)
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Dissolute Prints: Sairey Gamp, from Martin Chuzzlewit, 1923 (colour litho)

Sairey Gamp, from Martin Chuzzlewit, 1923 (colour litho)
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Dissolute Prints: Marriage a la Mode, Plate VI, The Ladys Death, illustration from

Marriage a la Mode, Plate VI, The Ladys Death, illustration from
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Dissolute Prints: Pillars of the Consitution: Three o Clock & a Cloudy Morning

Pillars of the Consitution: Three o Clock & a Cloudy Morning
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Dissolute Prints: The Jersey Smuggler detected, or Good Causes for Discontent

The Jersey Smuggler detected, or Good Causes for Discontent
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Dissolute Prints: The Hand-Writing upon the Wall, published by Hannah Humphrey in 1803

The Hand-Writing upon the Wall, published by Hannah Humphrey in 1803
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Dissolute Prints: The Parisian Sultan, or A Choice of Prostitutes, early 19th century

The Parisian Sultan, or A Choice of Prostitutes, early 19th century
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Dissolute Prints: Pillars of the Consitution: Three o Clock & a Cloudy Morning

Pillars of the Consitution: Three o Clock & a Cloudy Morning
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Dissolute Prints: Dilettanti Theatricals or a Peep at the Green Room, vide. Pic-Nic-Orgies, pub

Dilettanti Theatricals or a Peep at the Green Room, vide. Pic-Nic-Orgies, pub
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Dissolute Prints: Marriage a la Mode, Plate V, The Bagnio, illustration from Hogarth Restored

Marriage a la Mode, Plate V, The Bagnio, illustration from Hogarth Restored
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Dissolute Prints: Marriage a la Mode, Plate III, The Inspection, illustration from Hogarth Restored

Marriage a la Mode, Plate III, The Inspection, illustration from Hogarth Restored
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Dissolute Prints: Pointless Regrets, late 18th century (colour engraving)

Pointless Regrets, late 18th century (colour engraving)
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Dissolute Prints: The Bottle, Plate II, He is discharged from his employment for drunkenness

The Bottle, Plate II, He is discharged from his employment for drunkenness
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Dissolute Prints: Prostitutes at the Palais-Royal, from Mode du Jour, engraved by Fortier

Prostitutes at the Palais-Royal, from Mode du Jour, engraved by Fortier
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Dissolute Prints: God Save the King- in a bumper, or An Evening Scene Three Times a Week at Wimbleton

God Save the King- in a bumper, or An Evening Scene Three Times a Week at Wimbleton
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Dissolute Prints: The Feast of Reason, & the Flow of the Soul - i. e. The Wits of the Age

The Feast of Reason, & the Flow of the Soul - i. e. The Wits of the Age
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Dissolute Prints: Exaltation of Faros Daughters, published by Hannah Humphrey in 1796

Exaltation of Faros Daughters, published by Hannah Humphrey in 1796
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Dissolute Prints: A Merry Company, c. 1557 (oil on canvas)

A Merry Company, c. 1557 (oil on canvas)
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Dissolute Prints: The way you hear it, is the way you sing it, c. 1665 (oil on canvas)

The way you hear it, is the way you sing it, c. 1665 (oil on canvas)
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Dissolute Prints: A Night-House in The Haymarket (engraving)

A Night-House in The Haymarket (engraving)
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Dissolute Prints: Marriage a la Mode, Plate III, The Inspection, 1745 (engraving)

Marriage a la Mode, Plate III, The Inspection, 1745 (engraving)
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Dissolute Prints: Marriage a la Mode, Plate II, The Tete a Tete, 1745 (engraving)

Marriage a la Mode, Plate II, The Tete a Tete, 1745 (engraving)
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Dissolute Prints: Aunt Evins on the Temperance Stump (engraving) (b / w photo)

Aunt Evins on the Temperance Stump (engraving) (b / w photo)
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Dissolute Prints: The King is Drinking (oil on canvas)

The King is Drinking (oil on canvas)
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Dissolute Prints: Marriage a la Mode: V, The Bagnio, c. 1743 (oil on canvas)

Marriage a la Mode: V, The Bagnio, c. 1743 (oil on canvas)
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Dissolute Prints: Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving)

Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving)
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