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Dishevelled Prints
H. R. H. the Prince of Wales (1762-1830) published by Hannah Humphrey in 1802
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Returning from Brookss, 1784 (colour etching)
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Ragged soldiers of the Bolshevik Army, 1917 (b/w photo)
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Cartoon by Charles Samuel Keene, 1850
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Interviewing an Inferior, 1850
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A dishevelled man looking at the skeleton of a dinosaur, 1850
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A drunken man and gentleman speaking, 1850
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Head of the dead Christ (charcoal & chalk on paper)
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After, c. 1730-31 (oil on canvas)
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Sir Charles Blunt at the Death of the Boar, 1816 (oil on panel)
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Before, 1736 (etching) (b / w photo)
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After, 1736 (etching) (b / w photo)
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The Husband Who Beats His Wife, engraved by Le Blond (engraving)
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Decorative plaque, Archaic, second half of the 7th century BC (ivory)
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After, c. 1730-31 (oil on canvas)
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From Morn Til Night, 1889 (oil on canvas)
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The Departure, (oil on canvas)
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The Leader, c. 1875 (oil on canvas)
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Saving the Colours, the Guards at Inkerman during the Crimean War in 1854, 19th century
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Renan, 1892 (etching)
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Which Way Shall I Turn Me, How Shall I Decide? published by S. W. Fores in 1793 (etching)
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Dreadful-Hot Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)
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A Right Honourable, alias a Sans-Culotte, published by J. Fores in 1792 (etching)
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The Morning after Marriage, or A scene on the Continent, published by W
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Diogenes (d. c. 320 BC) reading a newspaper, c. 1870 (colour lithograph)
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A Naughty Child (oil on canvas)
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The Absinthe Drinkers (Les Declasses), 1881 (oil on canvas)
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The Morning After, 1884 (oil on panel)
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Cartoon of an Old Woman, etched by Isaac Cruikshank (1764-1811) (coloured etching)
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Sketch of a Spanish man, 1906 (w/c & graphite on paper mounted in scrapbook)
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The Presentation, or Wise Mens Offering, published by Hannah Humphrey in 1796
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Portrait of Monsieur Bergeret de Grancourt (1715-85) 1774 (oil on canvas)
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G. W. (Big Ben) Bentinck, 1864
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Refugees from Northern Missouri entering St. Louis, pub. c. 1894 (engraving)
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Edgar Allan Poe, late May-early June 1849 (daguerreotype)
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Stealing Off, or Prudent Secesion, published by Hannah Humphrey in 1798
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Taking Physick, published by Hannah Humphrey in 1800 (hand-coloured etching)
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Stealing off; - or - prudent Secession, pub. 1798 (hand coloured engraving)
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Begone Dull Care, I Prithee Begone From Me, 1801 (hand-coloured etching)
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US Military WW1 Recruitment Campaign Destroy this Mad Brute - Enlist'pub
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Young Woman Reading, 1875 (oil on panel)
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Broken Eggs, 1756 (oil on canvas)
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Camp bed, c. 1930 (pencil & w / c on paper)
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Young Hobbinol and Ganderetta, c. 1788 (oil on canvas)
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Stagg, c. 1920s (pen & ink wth w / c on paper)
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Peepy, c. 1920s (pen & ink with w / c on paper)
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After the Reception, 1887 (oil on canvas)
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The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage
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Pillars of the Consitution: Three o Clock & a Cloudy Morning
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Patriotic Regeneration, -Viz. - Parliament Reform d A la Francoise
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The Child who Never Washes, illustration for Les Defauts Horribles
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Mungo Park (1771-1806) encouraged by the sight of a little flower (engraving)
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Doublures of Characters, or Striking Resemblances in Phisiognomy, published by J
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Pillars of the Consitution: Three o Clock & a Cloudy Morning
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A Rustic Youth (oil on canvas)
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The Absent-minded Reveller, (pencil, coloured pencil and w / c on paper)
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Selections from Seymour: No. 2, Why Sarah your drunk! I m quite ashamed o you
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Out of the Game (oil on canvas)
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Thomas Hall Caine (1853-1931) illustration from Men of the Day
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Nude (pastel on paper)
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Duke Williams Ghost, published by Hannah Humphrey in 1799 (hand-coloured etching)
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God Save the King- in a bumper, or An Evening Scene Three Times a Week at Wimbleton
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A Voluptuary under the Horrors of Digestion, published by Hannah Humphrey in 1792
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The Merry Drinkers, 1659 (oil on panel)
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The Laundress, 1761 (oil on canvas)
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Giuseppe Mazzini (engraving)
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The Broken Pitcher, c. 1772-73 (oil on canvas)
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Nathaniel Lee, engraved by John Watts, 1778 (engraving)
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Perdito and Perdita - or - the Man & Woman of the People (litho)
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The Cave of Despair, from Spenser, engraved by Valentine Green (1739-1813) 1775
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Head of a Shipwrecked Man, study for the Raft of Medusa, 1817-19 (oil on canvas)
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The Cave of Despair, 1772 (oil on canvas)
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Man Holding a Staff, c. 1800 (oil on canvas)
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