Despairing Prints

Jewish despair, Lodz, 1905 (sepia photo)
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The Prisoners, 1936 (gouache on paper)
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Retreat of the Royalists from Toulon
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Andrieu d'Andes, c.1902-17 (bronze)
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The Happy Warrior, illustration from The Western Front
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Catherine Howard is conveyed to the tower
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Adam and Eve mourning Abels death, 1576 (engraving)
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Onslaught of the Tartars, (oil on canvas)
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In Happy Copulation, if in evening mild plate 10r from Visions of the Daughters of Albion
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The Couple in Blue; La pareja en azul, c. 1930 (oil on board)
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The Death of Cleopatra, 1887 (oil on canvas)
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Nightmare; Cauchemar, 1901 (pencil, ink and w / c on paper)
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Message Found in a Bottle, 1918 (pencil, pen and black ink, on vellum)
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The Gladiators Wife, 1884 (oil on canvas)
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Searching for Survivors, 1863 (oil on canvas)
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Indians Experiencing a Lunar Eclipse, c. 1848-50 (oil on canvas)
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Charles signing the Commission of Assent to Straffords Attainder
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Absence of ideas for meals, illustration from Pont
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The owner of the Castle was Giant Despair, illustration from The Pilgrim
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Youth and Age, 1923 (egg tempera)
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Philip Howard (oil on canvas)
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Detail of The Burghers of Calais, completed 1889 (bronze) (see 340530)
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The giants bore Freia away, from The Stories of Wagners Operas by J
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Iphis Hangs Himself in Despair that he Could Not Gain Anaxarete, 1731 (engraving)
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Which Way Shall I Turn Me, How Shall I Decide? published by S. W. Fores in 1793 (etching)
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Courage, Anxiety and Despair: Watching the Battle, (oil on canvas)
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Long-haired Nude, Leaning Forward, Back View; Langhaariger Akt, vornubergebeugt
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The Mater Dolorosa, c. 1509-1511 (oil on panel)
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Now is Pilgrim Year fair Autumns Charge, (oil on canvas)
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The Restless Little Sitter, c. 1860-69 (oil on canvas)
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Celebration of mass during the French Revolution, illustration from Hutchinson
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Brutus and his companions after the Battle of Philippi, illustration from
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The Garden of Opportunity, 1892 (oil on canvas)
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A family trapped on the roof of a house during the Chicago Fire of 1871
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Sir Thomas More (litho)
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Evening Consolation, pub. 1785 (hand coloured engraving)
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Her First Born or, Death of the First Born, 1888 (oil on canvas)
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Celebration of mass during the French Revolution, illustration from Hutchinson
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A night out, homeless, c. 1857 (photogravure)
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Street Scene by the Barber Shop; Strassenbild vor dem Friseurladen, 1926 (oil on canvas)
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The Deluge, 1828 (mezzotint with etching)
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Le Jeu du 31 (hand-coloured aquatint)
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The Sun May Shine A We Be Cold, 1848 (pen & brown ink on paper)
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Despair, pub. 1802 (hand coloured engraving)
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The Bishop of Rochester and the King, illustration from
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Palamides appeared before her, illustration from Stories of King Arthur
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Figures on rocks, above them a sun appears in a break of heavy clouds
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Mime finds the mother of Siegfried in the forest, illustration from
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Dark Genius, 1891 / 92 (pencil over paper on canvas)
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Condemnation of Anne Boleyn, engraved by George Noble, illustration from David Hume
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Domestic Arrangement in Prison, illustration from The Vicar of Wakefield
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Despair, published by Hannah Humphrey in 1802 (hand-coloured etching) (see 191204)
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Reading in the Garden; or Woman in Red Hat, c. 1880-1882 (pastel and charcoal on canvas)
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Landscape with the figure of Clotho, 1855 (oil on canvas)
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A Passing Cloud (oil on canvas)
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Psyche at the Stream (oil on board)
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Adam and Eve after the Fall, illustration from John Miltons Paradise Lost
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Parting of Queen Elizabeth Wydville and her Son, the Duke of York (engraving)
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Plate 14, from Illustrations of the Book of Job, 1825 (engraving)
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Scene from Pride and Prejudice by Jane Austen (1775-1817) (engraving)
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Printed to Order and Licensed for Personal Use