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Derelict Prints
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Saint Helier Estate: Old barn in Hill House grounds, London, 1929 (b/w photo)
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63-66 Grange Walk: front elevations, London, 1943 (b/w photo)
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80 Royal Hill: front elevation, London, 1943 (b/w photo)
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Saint Helier Estate: Old barn in Hill House grounds, London, 1929 (b/w photo)
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Bishop's Court: looking to Aylesbury Street, London, 1906 (b/w photo)
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63-66 Grange Walk: rear elevations from yard, London, 1943 (b/w photo)
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Battersea Church Road: Bolingbroke House, derelict, London, 1900 (b/w photo)
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Saint Helier Estate: Old barn in Hill House grounds, London, 1929 (b/w photo)
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179 Battersea Church Road: rear elevation, derelict, London, 1974 (b/w photo)
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Opening for Business Stationery shop in Manhattan, New York (sepia photo)
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Casa de Frascito Sanchez, an Old House in the Alhambra
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Italy, Campania Region, Herculaneum, House of Neptune and Amphitrite
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View of the Mausoleum of Hadrian or the Castle of St
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View of an ancient tomb near San Vito
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The Tomb of Cecilia Metella or the Capo di Bovi
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Old Stuart houses from the reign of King James I at the south corner of Hosier Lane
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South-east view of an old 15th-century Tudor house in Sweedon's Passage
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Section through the Tomb of Cecilia Metella or the Capo di Bovi
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North-east view of an old 15th-century Tudor house in Sweedon's Passage
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Interior of the ruins of Leadenhall Chapel (Holy Trinity Chapel)
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The Tomb of the Horatii and Cuiatii, 1792 (oil on board)
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Design for a clock in the form of a ruined tower
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The House of the Four Winds, c. 1849 (oil on canvas)
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Barn, Lake George, 1922 (gelatin silver print)
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Residence of Nell Gwynne, Bagnigge Wells, published in 1844 (engraving)
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Ruins of the Savoy in 1816 (engraving)
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Abandonment (The Two Friends); L abandon (Les deux amies), 1895 (oil on board)
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Hoar Frost at Huelgoat, Finistere; Gelee Blanche au Houelgouat Finistere
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The Abandoned House; La Maison Abandonee, 1887 (oil on canvas)
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A Mausoleum (pen & brown ink on paper)
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Thatched dwellings, partly in ruins, on a mountainside (pen & ink with chalk on paper)
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The Baths of Diocletian, 1743 (engraving)
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A drover urging a team of bullocks to swim the Tiber at the Ponte Milvio Crossing
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Corner of St Jamess Back and Broadmead (pencil & w / c on paper)
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View of the New Theatre Royal, Haymarket
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Dancer with a Bouquet; La Danseuse au Bouquet, (oil on canvas)
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A Study from Life, 1928 (oil on canvas)
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The Visitor, 1881 (oil on canvas)
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Sunset in Campagna; Abendstimmung in der Campagna (oil on canvas)
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Ariadne Abandoned by Theseus, (oil on canvas)
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Margot, 1881 (oil on canvas)
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Easedale Cottage, 1882 (gouache and w / c on paper)
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Ruin by the Sea, 1881 (oil on canvas)
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Le Portique a la Lanterne, c. 1744 (etching)
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The Moosah Bagh (b / w photo)
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Gateway and Banqueting Room, Lucknow (b / w photo)
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The Bailee Guard Gate, Lucknow (b / w photo)
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Derelicts, 1917 (w/c over graphite on medium, textured off-white wove paper)
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St Philips from Slip at Temple Backs (pencil & w / c on paper)
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Church and Ancient Uninhabited House at Ludlow, 1871-72 (pencil and watercolour)
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Market in a Disused Church in France, 1928 (oil on canvas)
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Havelocks House (b / w photo)
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Ruins of Hoods 28-car ammunition train and the Scofield Rolling Mill, near Atlanta
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Old Hungerford Bridge, 1861 (etching on paper)
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The Haunted House, Thornton Road, 1920 (w / c on paper)
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Chibburn, near Morpeth, c. 1916 (charcoal on paper)
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View of the New Theatre Royal, Haymarket, Opened July 4th 1821
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La Masure Gorbeau, 19th Century (b / w engraving)
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The Letter; La Lettre, (oil on canvas)
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The Garden Door, 1906-1907 (oil on canvas)
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The Abandoned House; La Maison Abandonnee, c. 1886 (oil on canvas)
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Young men playing pelota inside the Baths of Diocletian; S
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The Unsafe Tenement, 1858 (etching on paper)
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Heavily damaged entrance gateway to the Church of Imaumbarah (b / w photo)
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Mess House of the 32nd Regiment (b / w photo)
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Tara Kothi Observatory (b / w photo)
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Netley Abbey (pen & ink with wash on paper)
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Enchanted Castle (w / c and gouache on paper)
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Owlpen Manor, 1931 (etching)
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The Haunted House (oil on canvas)
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White Hart Inn Yard, Southwark, c. 1881 (b / w photo)
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Entry to the Colosseum (pen & ink with wash on paper)
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A Race for the Derelict, 1873 (oil on canvas)
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70-72 Monroe Avenue (Commercial Building), Detroit, Michigan (b / w photo)
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The Mandoline Player, 1862 (oil on canvas)
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Moorish Procession, (oil on canvas)
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Pink and White Roses in a Champagne Flute, 1874 (oil on canvas)
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The Tolbooth, stage design for The Heart of Midlothian, c. 1819 (oil on canvas)
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A Fragment of the Old London Wall, 1796 (w / c on paper)
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View of the Remains of Old London Wall, 1817 (w / c on paper)
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Entrance to Tothill Fields Prison, 1850 (w / c on paper)
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