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Cornwall Prints (#8)
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Women on the Sea Front at St Ives, c. 1890 (b / w photo)
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Smeatons Pier, St Ives, c. 1890s (b / w photo)
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The Fishing Fleet in St Ives Harbour, c. 1880-99 (b / w photo)
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Fisherman with their Catch, c. 1890 (b / w photo)
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Laying the Last Stone of the Extension to Smeatons Pier, 1890 (b / w photo)
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Smeatons Pier, St Ives, c. 1880s (b / w photo)
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Rocks at Tintagel (oil on canvas)
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View from Madron Carn, 1836
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Cave, Tintagel (oil on board)
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In the Valley, Vale of Lanherne, Cornwall (oil on canvas)
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Second Eddystone Lighthouse, near Plymouth (coloured engraving)
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Evening off St Michaels Mount, 1855 (oil on canvas)
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Coastline, Cornwall, c.1877-80 (w/c & gouache on off-white wove paper)
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Tintagel, 1881 (w/c on paper mounted onto board)
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Fishing Boats in St Ives (oil on canvas)
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Keel Alley, Newlyn (oil on panel)
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Tolcarne Bridge [Newlyn], c.1804 (w/c on paper)
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A Winter Morning, Fowey (oil on canvas)
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Freedom & Purity of Election!!! Showing the Necessity of Reform in the Close Boroughs
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Mont St Michel: The Outer Gate, c. 1876 (watercolour on paper)
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Mont St Michel: The Walls and Bastions, c. 1876 (watercolour over graphite on paper)
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Off the Cornish Coast (Trebariwith Strand), 1877--78 (oil on canvas)
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The Newlyn Girl, c. 1895 (oil on panel)
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A Newlyn Lass, 1889 (oil on canvas)
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Falmouth Harbour, c. 1825 (w / c on paper)
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Coming from St. Ives Market (oil on canvas)
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Newquay Headland, Cornwall (oil on board)
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Rough Water on the Bar (w / c & bodycolour on paper)
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Mending Father's Nests, 1884 (oil on canvas)
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Mousehole Harbour (w/c & gouache on paper)
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Evening Along Shore, St. Ives (oil on canvas)
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The Terminus, Penzance Station, Cornwall, 1925 (oil on canvas)
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The White Barque at Fowey, 1943 (tempera on board)
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The Royal Exchange, 1894 (w/c on paper)
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Fishing Craft off the Eddystone Lighthouse (oil on panel)
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Regatta, Hayle Estuary, c. 1890 (b / w photo)
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Laying the Foundation Stone for the Extension to Smeatons Pier, 1888 (b / w photo)
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Panoramic after view, from the Red Book for Antony House, c. 1812 (w / c on paper)
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Panoramic before view, from the Red Book for Antony House, c
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Back Road East, St Ives, c. 1880-99 (b / w photo)
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Herring Catch, c. 1890 (b / w photo)
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Schooners Village Belle and Chyandour, c. 1880-99 (b / w photo)
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Mounts Bay from Ludgvan, Cornwall 1790 (oil on canvas)
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Man Trap, c. 1880 (iron)
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St. Ives (w / c on paper)
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Landscape on the Cornish Coast (w / c on paper)
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Falmouth Harbour (colour litho)
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St Ives, Christmas Day, 1908 (w/c & gouache on paper)
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Clapper Mill, Lamorna, 1925 (etching)
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St, 1876 (oil on canvas)
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Trades in Regency England
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Quay Fair, 1850 (oil on canvas)
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The Botanists, 1928 (tempera)
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A Cornish Fishing Village, 1900 (oil on canvas)
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Lamorna Cove (oil on canvas)
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King George V of the G. W. R Cornish Railway Express
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St. Ives Harbour with five sailing boats (oil & pencil on board)
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Lady Currie with her sons Bill and Hamish Hunting on Exmoor (oil on canvas)
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Historical views of England
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Mont St Michel from the Sands, c. 1876 (watercolour over graphite, on paper)
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A Rocky Coastline at Padstow, Cornwall, (pastel)
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Autumn in Cornwall, 1925 (oil on canvas)
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The Reef, Porth, Newquay, late 19th-early 20th century (oil on canvas)
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Three Boats between Lighthouse and Shore, c. 1930 (oil on card)
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Cawsand Bay, 1877 (oil on canvas)
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Falmouth Harbour, 1883 (oil on canvas)
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The Inner Harbour - Abbey Slip, 1921 (oil on canvas)
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Newlyn Harbour (oil on panel)
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William Stevens Scalding the Pig near Norway Lane, St Ives, c. 1880-99 (b / w photo)
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A Summer Day (oil on board)
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Seascape, c. 1920 (oil on canvas)
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Lands End, 1872 (oil on board)
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A Fishergirl, Newlyn (oil on canvas)
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Before view of the grounds, from the Red Book for Antony House, c
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The Opening of the Saltash Bridge by Prince Albert, 2nd May 1859, c. 1859 (oil on canvas)
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St. Michaels Mount, Cornwall, c. 1870-80 (pencil, ink and crayon on board)
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At the captains bar, from from a magazine or book source unknown (colour litho)
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Old Newlyn, 1913 (pencil & w / c on board)
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View of Trerice, Cornwall, 1819 (watercolour)
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Boscastle, Cornwall, c. 1824 (watercolour over graphite with pen and black ink)
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At Marazion - Riverside Farm (oil on canvas)
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Fitting out, Mousehole Harbour, 1919 (oil on canvas)
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Saltash, Cornwall, 1825 (watercolour)
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Sir George Cornewall Lewis, engraved by D
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