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Comedy Prints
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Charles Richman as John Worthing, William Courtney as Algernon Moncrieff
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Comico Descubrimiento, 1819-28 (black chalk on paper)
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Musical Score for the Quest avventura aria
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Portrait of the singer Enrico delle Sedie in the Barber of Seville
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The cast from an amateur production of a play titled When Mr
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A scene from The Junior Show, an amateur production presented by
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A scene from an amateur production of an unidentified play presented at Barnard College
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Pathelin and Guillemette, from The Farce of Master Pierre Pathelin, c
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Coquelin the Elder in Le Bourgeois Gentilhomme by Moliere, c
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Thomas Collins as Slender in The Merry Wives of Windsor by Shakespeare
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Farce staged c. 1600 at the Theatre of the Hotel de Bourgogne (engraving)
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Two Lackeys (pen & ink on paper)
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A fantastic umbrageous lover (pen & ink on paper)
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Peyrade disguised as an English man and Contenson as a mulatto servant
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Rosine, Count Almaviva and the Doctor, scene from Act II scene 13 of
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Scenes from early 19th century Parisian Vaudeville and Opera-Comique
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Statuettes of Actors and Actresses, Hellenistic, c. 325-50 BC (terracotta
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Their are some shrewd contents in your same paper
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Shylock and Jessica, illustration from The Merchant of Venice, c
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Playbill for Christys Minstrels, 1849 (engraving)
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Poster advertising a performance of Knock or the Triumph of medicine
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Frontispiece of Le Menteur by Pierre Corneille (1606-84
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Title page from Les Fantaisies de Bruscambille
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Illustration from The Merchant of Venice by William Shakespeare (1565-1616) c
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Exterior and cross-section of the interior of the Theatre des Varietes
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A Scene from Georges Dandin by Moliere (1622-73) 1852 (oil on canvas)
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Petruchio, Katarina and servants in a scene from The Taming of the Shrew, c
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Perrier as Dupont, L Homme marie
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Man forced to wear his hosts ill-fitting clothes at a dinner
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On the Outskirts of the Inn at Kumotsu (Kumotsu no yado hazure) (colour woodblock print)
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Shirako town in Tokaido Road (Tokaido shirako) (colour woodblock print)
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Pericles took the new born infant in his arms (Pericles Prince of Tyre)
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It was in vain he told her he was her husband (the Comedy of Errors)
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Katherine was a lady of ungovernable sprit and fiery temper (The Taming of the Shrew)
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Pettruchio, pretending to find fault with every dish, threw the meat about the floor
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Helena on her knees before the countess now owned her love for Bertram (All
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Imogen had fallen asleep (Cymbeline), from Tales from Shakespeare pub
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The old king was now left with no other companion than the poor fool (King Lear)
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Oberon left the clown to finish his sleep with his fool
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Inside cover design, from Tales from Shakespeare pub. by Ward Lock & Co Ltd
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Cordelia and King Lear (King Lear) O you kind Gods
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Scene from the Commedia dell Arte, c. 1575-1600 (bistre & wash on paper)
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Scapino, Commedia dell Arte (red chalk on paper)
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Comedy in the Country, Tragedy in London, 1807 (hand-coloured engraving)
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A Buen Retiro Italian comedy group of spaghetti-eaters, c. 1760
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The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench
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The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench
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The Infant Punchinello in Bed with His Parents, c. 1800 (pen & ink on paper)
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Punchinello Retrieving Dead Fowls from a Well, c. 1800 (pen & ink on paper)
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The Flogging of Punchinello, c. 1800 (pen & ink on paper)
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I had rather forsooth, go before you like a man, than follow him like a dwarf
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Heres the twin brother of thy letter, illustration from
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Have not your worship a want above your eye?
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Villain! Larron!'(Pulling Simple out), illustration from
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Exeunt Falstaff and Robin, illustration from
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The Terrace of Envious Souls, illustration to the Divine Comedy by Dante Alighieri
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Dante, Virgil and Cato, illustration to the Divine Comedy by Dante Alighieri
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Virgil rescues Dante from the evil demons
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The Circle of the Gluttons, with Cerberus
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Dante and Virgil on the Edge of the Stygian Pool
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Costume Design for the Count Almaviva, from the Marriage of Figaro
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Costume design for the Count Almaviva, from The Marriage of Figaro
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The Guignol Theatre on the Champs Elysees, 1856 (colour litho)
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The Waterer Watered, poster advertising Cinematographe Lumiere
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Valentine: She will recover'. (litho)
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Phoebe: It was raining, and my face was wet. (litho)
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Phoebe: You know how gallantly he swings his cane'. (litho)
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If any boy says you can t cane I will blood him, Miss Phoebe'. (litho)
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The Italian Comedians, c. 1720 (oil on canvas)
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During a performance at Hammersteins Paradise Gardens, New York, c. 1900-06
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1pectators watching a Pulcinella show near the Pont des Arts in Paris (gouache on paper)
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Pierre Corneille (1606-84) from Gallery of Portraits, published in 1833
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BridgemanArt Full Collection
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Un Scapin or ScAeene de comedie, c. 1863-1865 (oil on wood)
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The Stages Glory, circa 1731 (etching)
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Titania Awakes, Surrounded by Attendant Fairies, clinging rapturously to Bottom
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For the Benefit of Mrs Jordan, 1787 (engraving)
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The Interior of the Olympic Theatre near Drury Lane, engraved by Henry Richard Cook
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The Keystone Kops, c. 1915 (b / w photo)
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The frog who wanted to be as fat as the bull, illustration from Fables
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Illustration from Le Lutrin by Nicolas Boileau, known as Boileau-Despreaux
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Illustration from Le Lutrin by Nicolas Boileau, known as Boileau-Despreaux
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Balli de Sfessania, c. 1622 (engraving) (b / w photo)
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Balli de Sfessania, c. 1622 (engraving) (b / w photo)
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