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Capriccio Prints
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Neo-classical Designs (pen & ink on paper)
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An imaginary view of Het Tolhuis on the River Merwede, near Gorcum, c
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An Imaginary View of San Marco from the Bacino on Ascension Day (oil on canvas)
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The Sleep of Reason Produces Monsters by Francisco Goya, 1799 (etching with aquatint)
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Capricci of Roman ruins with figures (oil on canvas) (pair to 623375)
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A Capriccio of Classical Ruins with the Pyramid of Cestius and Figures in a Landscape
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Imaginary View of Padua, c.1740s (etching)
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Ruins with the Legend of St. Augustine (oil on canvas)
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Principal Buildings by Sir Christopher Wren, 19th century (engraving)
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Architectural fantasy with the Daughters of Minyas from Ovids Metamorphoses
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Fantastic Landscape, c. 1765 (oil on canvas)
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A Hermit Praying in the Ruins of a Roman Temple. c. 1760 (oil on canvas)
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An Ostrich (oil on canvas) (pair to 710932)
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After the Hunt, 1729 (oil on canvas)
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View from a collection of six, engraved by Francois Vivares (1709-80) (etching)
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Italianate landscape with a capriccio view of Tivoli, a shepherd and shepherdess
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A Mediterranean capriccio harbour with figures conversing on a quay
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Mountainous River Landscape with the Tomb of Cecilia Metella
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Neo-classical Structures (pen & ink on paper)
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Scagliola Panel (w / c on paper)
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The Round Tower, plate III from Carceri d'Invenzione, c.1749 (etching)
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Square in an Ancient City, late 1630s
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A Capriccio Interior with a Group of Ladies and Gentlemen examining a Bust of Antinous
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The Basilica of Maxentius in the Roman Forum with Peasants and Cattle in the Foreground
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Girl Reading at Corinthian Temple, c. 1710 (oil on canvas)
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A Capriccio View of a Dutch Town Along a River (oil on canvas)
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Yorkshire Capriccio (pen, brush & wash on paper)
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An architectural fantasy (ink & w / c on paper)
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A Capriccio of a Mediterranean Seaport with Austrian Shipping
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The Ponte Salario, c. 1775 (oil on canvas)
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English Landscape Capriccio with a Column, c. 1754 (oil on canvas)
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The Old Bridge, c. 1760 (oil on canvas)
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The Coliseum amongst Roman Ruins, c. 1730 (oil on canvas)
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The Ideal City, c. 1480 (oil on panel)
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View of the Roman Forum, 1747 (oil on canvas)
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Emperor Augustus and the Sibyl, 1535
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Roman Ruins with a Prophet, 1751
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Set design for the world premiere performance of Idomeneo, by Wolfgang
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View of the Outskirts of Rome (oil on canvas)
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View of a Port in the Levant, 1670 (oil on canvas)
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Italian Palace, 1623 (oil on copper)
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View of an Ideal City, or The City of God, after 1470 (oil on panel)
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Percy Bysshe Shelley (1792-1822) 1845 (oil on canvas)
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Landscape with Ruins, 1673 (oil on canvas)
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The Annunciation, 1545-50 (oil on canvas) (for detail see 89724)
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Cut the Old (Parten la vieja), c. 1810 (sepia wash)
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Plate from the Carceri d invenzione series, 1761 (etching)
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Plate from the Carceri d invenzione series, 1761 (etching)
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Plate from the Carceri d invenzione series, 1761 (etching)
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Plate from the Carceri d invenzione series, 1761 (etching)
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Title page to the Carceri d invenzione series, 1761 (etching)
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Architectural perspective (oil on canvas)
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View of a Port in the Orient (oil on canvas)
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Fantastical Architecture with St. George and the Dragon, 1622
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The Capitol, set design for Titus, by Wolfgang Amadeus Mozart (1756-91)
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A Scene in Ancient Rome, A Setting for Titus Andronicus, Act I, scene 3, c. 1830
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Classical Landscape (oil on canvas)
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Ruins of a Temple (oil on canvas)
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Landscape with Roman Ruins (oil on canvas)
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Sleep overcomes them, plater 34 of Los caprichos, 1799 (etching)
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Ideal Landscape with Palace Steps, 1762 (oil on canvas) (detail of 141300)
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Ideal Landscape with Palace Steps, 1762 (oil on canvas)
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