Burne Jones Prints

Title page and opening page from the Kelmscott Press edition of
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Joseph Rudyard Kipling, 1865 - 1936
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Composite Drawing of a Stunner / A Victorian Woman in her Underwear
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Composite Drawing of a bewigged Figure, 1861-63 (pencil on paper)
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Sir Edward Coley Burne-Jones (engraving)
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The Story of Cupid and Psyche - Venus
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The end of The Romance of the Rose
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PB 5-2001
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Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)
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Stained glass by Edward Burnes Jones in Birmingham (photo)
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Stained glass by Edward Burnes Jones in Birmingham (photo)
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Stained glass by Edward Burnes Jones in Birmingham (photo)
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Stained glass by Edward Burnes Jones in Birmingham (photo)
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Stained glass by Edward Burnes Jones in Birmingham (photo)
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Interior View, All Saints Church, Leek, Staffordshire (photo)
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Stained glass by Edward Burnes Jones in Birmingham (photo)
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Sea Nymph, (bodycolour on brown paper)
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Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper)
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The Triumph of Love (or Amor Vincit Omnia): Oblivio (one of four panels)
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The Triumph of Love (or Amor Vincit Omnia): Fortuna (one of four panels)
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Venus and Aeneas, 1874-c. 1919 (w / c on vellum)
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St Cecilia (watercolour with bodycolour on paper)
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Hope, (watercolour with bodycolour)
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Little Dorothy Mattersdorf, 1893 (oil on canvas)
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The Flight into Egypt (detail), 1862 (w / c and black ink over graphite
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Study of a hill fairy for Arthur in Avalon, 1885 (pencil on paper)
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Lavinia, 1874-c. 1919 (w / c on vellum)
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Hero, (oil on canvas)
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Portrait of Laura Lyttelton, nee Tennant, with her Eyes Downcast, 1885 (pencil
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St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour
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Study of a Ladys Head, (oil on canvas)
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Women bringing Children to Christ, (charcoal over traces of pencil
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Wood Nymph, (bodycolour on brown paper)
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The Triumph of Love (or Amor Vincit Omnia): Fortuna, Fama, Oblivio and Amor
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Angels and The Nativity (stained glass window)
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The Flight into Egypt, 1862 (w / c and black ink over graphite
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Portrait of Mrs. William J. Stillman, nee Marie Spartali, (oil on canvas)
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A Study for King Cophetua and the Beggar Maid
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Studies of the Artists Son, Philip, as a young boy, c. 1875, c. 1875 (pencil)
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The Achievement of the Holy Grail by Sir Galahad, Sir Bors and Sir Percival
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Study for The Garden Court, (pencil and watercolour)
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Thisbe, 1861-62 (ceramic)
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Aeneas stands beside the spoils of King Mezentius, 1874-c. 1919 (w / c on vellum)
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Venus giving armour to Aeneas, 1874-c. 1919 (w / c on vellum)
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The First Day of Creation & The Third Day of Creation, (polychrome ceramic
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King David the Poet, 1863 (stained glass)
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Head of a Woman, 1890 (coloured chalks on terracotta coloured paper)
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Aeneas slays Turnus, 1874-c. 1919 (w / c on vellum)
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Cassandra Bound, 1874-c. 1919 (w / c on vellum)
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The Prophet Samuel, by Morris & Co, 1868 (stained glass window)
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Scene from Troilus and Criseyde, historiated initial B
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The Dream of Lancelot, (coloured chalks on buff paper)
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The Triumph of Love (or Amor Vincit Omnia): Amor (one of four panels)
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The Triumph of Love (or Amor Vincit Omnia): Fama (one of four panels)
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Printed to Order and Licensed for Personal Use