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Avantgarde Prints
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Gino Severini, picture from The Oulokeer, London, April 26, 1913. Italy, 20th century
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Paul Cezanne, c.1880 (b/w photo)
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Harvest landscape in Devonshire
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Spring landscape, 1909, by Constant Permeke (1886-1952)
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Portrait of Viktor Vladimirovich Khlebnikov
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Poltrobabbo
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The Betrothed, 1923, by Constant Permeke (1886-1952)
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Port, 1913-1914 (oil on canvas)
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Futurism vase with animals, 1935
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Futurism vase with animals, 1935
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Newcastle by Edward Wadsworth from BLAST no
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Departure of the Prodigal Son, 1930
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Peritucco with red bow, 1912-1915
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The Stranger, by Constant Permeke (1886-1952)
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The red roofs, 1929, by Constant Permeke (1886-1952), oil on canvas. Belgium, 20th century
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Heavy artillery in action, 1913, by Kubista Bohumil (1884-1918)
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Music, 1911 (oil on canvas)
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Portrait of Philippe Soupault (Chaville)
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Solidity of Fog, 1912
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Switzerland, Basel, Compenetration of Houses+Light+Sky, 1912
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Jabbeke in 1940, by Constant Permeke (1886-1952), oil on canvas. Belgium, 20th century
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Four part synchromy, Number 7, 1914-1915
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Simultaneous Windows, 1912 (oil on canvas)
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Stage design for Don Juan in Hell, c.1929 (gouache over graphite on wove paper)
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The Nation, by Mario Nannini (1895-1918)
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Newcastle by Edward Wadsworth from BLAST no
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Portrait of Tristan Tzara, 1923 (oil on canvas)
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Simultaneous Windows, 1912
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St Sebastian, by Bohumil Kubista (1884-1918), oil on canvas, 98x75 cm, 1912
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Still life showing skull, 1912, by Kubista Bohumil (1884-1918), oil on canvas, 87x67 cm
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Circular shapes, Moon
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Simultaneous Contrasts: Sun and Moon, 1912-13 (oil on canvas)
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Jean Metzinger, 1906 (oil on paper)
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Window, study for three windows, 1912 (oil on canvas)
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The Cardiff Team, 1912-13 (oil on canvas)
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Saint-Severin #1, 1909 (oil on canvas)
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The Cardiff Team, 1912-13 (oil on canvas)
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Englishman in Moscow, by Casimir Malevich (1878-1935), tapestry
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The Runners, c.1924 (oil on canvas)
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Echoes of Bach 1930 (Oil on canvas)
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Au Salon des Independants, caricature from L'Amour de l'Art, 1925 (engraving)
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Portrait of Philippe Soupault, March 24, 1980, Paris
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Abstract Composition 1940 (Oil on cardboard)
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L'Art Comique, caricature from L'Art Vivant, no 1, 1st January 1925 (engraving)
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Composition No. 70 1944 (Oil on canvas)
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Some recipes to make our own paintings of Marie Laurencin
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Inside of the building of Gorizia Posts and Telegraphs
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Aurelien Marie Lugne-Poe (b/w photo)
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Text pages for On New Systems in Art, 1919 (litho)
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Text pages for From Cubism and Futurism to Suprematism: A New Realism in Painting
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Text pages for From Cubism and Futurism to Suprematism: A New Realism in Painting
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Text pages for From Cubism and Futurism to Suprematism: A New Realism in Painting
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Text pages for From Cubism and Futurism to Suprematism: A New Realism in Painting
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Interior cover sheet and text page from From Cubism and Futurism to Suprematism: A New Realism in Painting
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Text pages for From Cubism and Futurism to Suprematism: A New Realism in Painting
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Text pages for From Cubism and Futurism to Suprematism: A New Realism in Painting
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Text pages for From Cubism and Futurism to Suprematism: A New Realism in Painting
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Giraffe Cabinet, 1915-16 (wood)
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The Advance Guard of an Army (oil on panel)
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Olga Rozanova, c. 1900 (b/w photo)
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Untitled, 1916 circa, (oil on canvas)
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7387058
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The Slave; L Esclave, 1924 (bronze with a brown patina)
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A Sienese Village (oil on panel)
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Interior with Five Figures, Roman, 1925 (oil on canvas)
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Close-up of a lusterware, Hungary
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Midshipman Newcome transferred by rowboat to the HMS Vanguard near Gibraltar
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The Enchanted Princesses Cabinet, c
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Young Poet (Simon Guttmann), 1911 (graphite on paper)
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Playing Draughts at Le Relais, late 19th century (b / w photo)
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Music room, 1915, by Ernst Ludwig Kirchner (1880-1938)
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Les Nabis, at Natansons house in Villeneuve-sur-Yonne, France, c. 1898 (b / w photo)
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Walter Gropius, 1920 (b/w photo)
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Discussion, 1926, by Franz Wilhelm Seiwert (1894-1933), oil on plywood, 84x74 cm
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The Enchanted Princesses Cabinet, c
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