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A Trip to Scarbro: A coach overladen with luggage and passengers drives into a pond
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The skeleton of Death sits in the porters chair of a great house
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The skeleton of Death comes for Miss Mustard
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Watching the comet on the Boulevards in 1857, 1898 (litho)
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Melencolia I, 1514 (engraving)
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The Shade, or Adam from The Gates of Hell, 1880 (bronze)
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Damocles at the Table, before 1620 (oil on copper)
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Eagle, Wild Geese and Dogs (oil on canvas)
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Grief, 1916 (Remarque proof etching on paper)
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Woman in a large toile skirt, looking afraid of a spider
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Passions from Physiognomy, 1829 (engraving)
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The skeleton of Death comes for a Hunter as he hides under a table after a fox hunt
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Old Woman Tearing at her Hair, 1525-30 (oil on panel)
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Fair Rosamund, 1916 (oil on canvas)
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Yearnings, 1881 (etching)
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The Munch Pebble (Jurassic limestone)
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The Disaffected, 1877 (oil on canvas)
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Detail from the Last Judgement, Sistine Chapel (fresco)
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Laocoon (marble) (detail of 217181) (b / w photo)
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An Actor (pen & ink and wash on paper)
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The Death of Abel (oil on canvas)
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A Horse Frightened by a Lion, after George Stubbs (1724-1806)
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Miniature of Judgement Day from a chorale parchment
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Detail of a folio from the Codex Purpureus Rossanensis
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Terror or Fright, 1815 (engraving)
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The skeleton of Death with his dart comes for a schoolmaster as he teaches astronomy to a class of children who flee
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The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground
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The skeleton of Death with his dart causes a riot among the harlequins
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P. 440-1985 Air, On Cloudy Doubts and Reasoning Cares, plate 4 of
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Last Judgement, from the Sistine Chapel, 1538-41 (fresco)
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Two Regency gentlemen about to fight a duel with pistols
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The Acting Manager or Rehearsal: The End of the Act, c. 1885-6 (oil on canvas)
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She (The Blushing Girl) (oil on panel)
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Young Man holding a Candle (mezzotint on paper)
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The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes
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Transfiguration of Christ, painted on a piece of the wall in the sacristy (fresco)
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Fire of Troy, manufacture of Urbino, plate
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Anxieties, 1881 (etching)
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The statesman in his office is surprised by the skeletal figure of Death with his crown
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The skeleton of Death takes the mother as she witnesses her sons lifeless body pulled from a lake
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Anguish from a series of ten plates from Paraphrase on the Discovery of a Glove
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Front cover of The Echo (colour litho)
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L Assiette au Beurre, number 127
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