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Amorous Prints

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Amorous Prints: 'Why Jones Stayed at the Office'

'Why Jones Stayed at the Office'
From £69.98

Amorous Prints: Postcard depicting two lovers, 1932 (colour litho)

Postcard depicting two lovers, 1932 (colour litho)
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Amorous Prints: Pan and Syrinx (oil on canvas)

Pan and Syrinx (oil on canvas)
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Amorous Prints: Repose in a Park (oil on canvas)

Repose in a Park (oil on canvas)
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Amorous Prints: Couple in Affectionate Converse, Safavid Period (w/c on paper)

Couple in Affectionate Converse, Safavid Period (w/c on paper)
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Amorous Prints: The Trysting Tree, 1868 (oil on canvas)

The Trysting Tree, 1868 (oil on canvas)
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Amorous Prints: Lovers with a Birdcage, 1736 (hard-paste porcelain, polychrome enamels & gilding)

Lovers with a Birdcage, 1736 (hard-paste porcelain, polychrome enamels & gilding)
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Amorous Prints: A couple embracing, copy of the Ajanta Frescoes, 1915 (colour litho)

A couple embracing, copy of the Ajanta Frescoes, 1915 (colour litho)
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Amorous Prints: Apollo and Daphne, 1410-11 (ink & colour on vellum)

Apollo and Daphne, 1410-11 (ink & colour on vellum)
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Amorous Prints: Just as the swineherd was taking the eighty-sixth kiss

Just as the swineherd was taking the eighty-sixth kiss
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Amorous Prints: European gentleman and lady, dressed in Elizabethan Costume

European gentleman and lady, dressed in Elizabethan Costume
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Amorous Prints: Hag claims husband Wanton Wife of Bath

Hag claims husband Wanton Wife of Bath
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Amorous Prints: Harley 4431, f.134v Apollo and Daphne

Harley 4431, f.134v Apollo and Daphne
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Amorous Prints: In the Twilight, 1890 (b/w photo)

In the Twilight, 1890 (b/w photo)
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Amorous Prints: Caricature on amorous love. 1906

Caricature on amorous love. 1906
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Amorous Prints: Sweethearts, 1909 (gouache and charcoal on board)

Sweethearts, 1909 (gouache and charcoal on board)
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Amorous Prints: Illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) pub

Illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) pub
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Amorous Prints: Marquise de Merteuils visit to Cecile de Volangess bedchamber

Marquise de Merteuils visit to Cecile de Volangess bedchamber
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Amorous Prints: Bedroom scene from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) pub

Bedroom scene from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) pub
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Amorous Prints: Lovers; Liebespaar, 1911 (pencil on paper)

Lovers; Liebespaar, 1911 (pencil on paper)
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Amorous Prints: Embracing lovers, second half of the 19th century (gouache on paper) (see also 2629260)

Embracing lovers, second half of the 19th century (gouache on paper) (see also 2629260)
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Amorous Prints: The Lovers, c. 1630 (w / c, ink and gold on paper)

The Lovers, c. 1630 (w / c, ink and gold on paper)
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Amorous Prints: The Ill-matched Pair, 1566 (oil on wood)

The Ill-matched Pair, 1566 (oil on wood)
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Amorous Prints: A Merry Company (oil on panel)

A Merry Company (oil on panel)
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Amorous Prints: Embracing lovers, second half of the 19th century (gouache on paper) (see also 2629159)

Embracing lovers, second half of the 19th century (gouache on paper) (see also 2629159)
From £69.98

Amorous Prints: Embracing lovers, second half of the 19th century (gouache on paper) (see also 2629159-60)

Embracing lovers, second half of the 19th century (gouache on paper) (see also 2629159-60)
From £69.98

Amorous Prints: An amorous couple, late 19th century (oil on canvas)

An amorous couple, late 19th century (oil on canvas)
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Amorous Prints: Man and Woman (Embrace); Mann und Frau (Umarmung)

Man and Woman (Embrace); Mann und Frau (Umarmung)
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Amorous Prints: Oriana (oil on panel)

Oriana (oil on panel)
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Amorous Prints: Slave to Love (colour litho)

Slave to Love (colour litho)
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Amorous Prints: l Emoi, 1894 (woodcut)

l Emoi, 1894 (woodcut)
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Amorous Prints: Life at the Court of Catherine de Medici (1519-89), 16th century (engraving) (b / w photo)

Life at the Court of Catherine de Medici (1519-89), 16th century (engraving) (b / w photo)
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Amorous Prints: Bedroom scene from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) published 1920s (pochoir print)

Bedroom scene from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) published 1920s (pochoir print)
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Amorous Prints: Kali, Kangra (gouache heightened with gold on paper)

Kali, Kangra (gouache heightened with gold on paper)
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Amorous Prints: Venus and Mars, c. 1790 (pen and brown ink on paper)

Venus and Mars, c. 1790 (pen and brown ink on paper)
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Amorous Prints: Self Portrait with Nude Woman and Glass, 1902 (oil on canvas)

Self Portrait with Nude Woman and Glass, 1902 (oil on canvas)
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Amorous Prints: Avarice, 1924 (pochoir print)

Avarice, 1924 (pochoir print)
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Amorous Prints: I did but see her passing by and yes I love her till I die

I did but see her passing by and yes I love her till I die
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Amorous Prints: L Avarice, 1924 (pochoir print)

L Avarice, 1924 (pochoir print)
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Amorous Prints: Kuppenheimer Good Clothes, 1926, 1926 (oil on canvas laid on board)

Kuppenheimer Good Clothes, 1926, 1926 (oil on canvas laid on board)
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Amorous Prints: The Lovers, from Paris: Moeurs

The Lovers, from Paris: Moeurs
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Amorous Prints: Cafe Society, from Paris: Moeurs

Cafe Society, from Paris: Moeurs
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Amorous Prints: Tomb effigy and seal of Philip I (c)

Tomb effigy and seal of Philip I (c)
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Amorous Prints: The Picnic, 1861 (oil on board)

The Picnic, 1861 (oil on board)
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Amorous Prints: The Dance, (oil on canvas)

The Dance, (oil on canvas)
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Amorous Prints: A Courting Couple, 1880 (oil on canvas)

A Courting Couple, 1880 (oil on canvas)
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Amorous Prints: Alpheus and Arethusa (oil on canvas)

Alpheus and Arethusa (oil on canvas)
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Amorous Prints: Romeo and Juliet, 1886 (oil on canvas)

Romeo and Juliet, 1886 (oil on canvas)
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Amorous Prints: The Letter, 1746 (oil on canvas)

The Letter, 1746 (oil on canvas)
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Amorous Prints: I ll sing you a song i ve just made up, illustration from

I ll sing you a song i ve just made up, illustration from
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Amorous Prints: The Three Ages of Man (oil on canvas)

The Three Ages of Man (oil on canvas)
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Amorous Prints: Peasant Dance (oil on panel)

Peasant Dance (oil on panel)
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Amorous Prints: March of the Guards to Finchley, illustration from Hogarth Restored

March of the Guards to Finchley, illustration from Hogarth Restored
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Amorous Prints: Couple with roses, c. 1930 (colour litho)

Couple with roses, c. 1930 (colour litho)
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Amorous Prints: A Meissen crinoline group of the rest during the case, c. 1745 (porcelain)

A Meissen crinoline group of the rest during the case, c. 1745 (porcelain)
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Amorous Prints: Two Lovers, 1838 (gouache on paper)

Two Lovers, 1838 (gouache on paper)
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Amorous Prints: The Seducer, 1929-30 (oil on canvas)

The Seducer, 1929-30 (oil on canvas)
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Amorous Prints: Des Caresses, (coloured crayons heightened with white on grey paper)

Des Caresses, (coloured crayons heightened with white on grey paper)
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Amorous Prints: Amorous allegorical Scenes in wooded Landscapes, (oil on panel)

Amorous allegorical Scenes in wooded Landscapes, (oil on panel)
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Amorous Prints: Flirtation (oil on panel)

Flirtation (oil on panel)
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Amorous Prints: The Awakening of Love - Words of Another to Music Set / Do Help True Love to Love

The Awakening of Love - Words of Another to Music Set / Do Help True Love to Love
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Amorous Prints: Stepping Stones over the Creek, (oil on canvas)

Stepping Stones over the Creek, (oil on canvas)
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Amorous Prints: Young Lovers, (oil on canvas)

Young Lovers, (oil on canvas)
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Amorous Prints: La Balancoire, before 1736 (oil on canvas)

La Balancoire, before 1736 (oil on canvas)
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Amorous Prints: Fastening the Skate, 1743 (oil on canvas)

Fastening the Skate, 1743 (oil on canvas)
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Amorous Prints: Elegant Figures Feasting and Disporting at a Table with the Last Judgement in

Elegant Figures Feasting and Disporting at a Table with the Last Judgement in
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Amorous Prints: Soldiers carousing with a serving woman outside a tent, c.1655 (oil on oak panel)

Soldiers carousing with a serving woman outside a tent, c.1655 (oil on oak panel)
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Amorous Prints: Alpine village and lovers embracing (pen & ink on paper)

Alpine village and lovers embracing (pen & ink on paper)
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Amorous Prints: Le Maitre et la Bonne, c. 1830-40 (colour litho)

Le Maitre et la Bonne, c. 1830-40 (colour litho)
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Amorous Prints: Lovers in a Punt (oil on board)

Lovers in a Punt (oil on board)
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Amorous Prints: A romantic meeting, illustration from a traditional Chinese novel (w / c on paper)

A romantic meeting, illustration from a traditional Chinese novel (w / c on paper)
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Amorous Prints: Two Lovers in a Garden (oil on panel)

Two Lovers in a Garden (oil on panel)
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Amorous Prints: A Gentleman whose eyes looked as if they saw no one else (colour litho)

A Gentleman whose eyes looked as if they saw no one else (colour litho)
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Amorous Prints: The March of the Guards to Finchley, 1750 (oil on canvas)

The March of the Guards to Finchley, 1750 (oil on canvas)
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Amorous Prints: The Pink Kiss, c. 1930 (colour litho)

The Pink Kiss, c. 1930 (colour litho)
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Amorous Prints: An attachment he discovered to my daughter, illustration from

An attachment he discovered to my daughter, illustration from
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Amorous Prints: Pan chases Syrinx (engraving)

Pan chases Syrinx (engraving)
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Amorous Prints: The Temptation, 1746 (oil on canvas)

The Temptation, 1746 (oil on canvas)
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Amorous Prints: Flirtation (oil on canvas)

Flirtation (oil on canvas)
From £69.98

Amorous Prints: Beauty Teasing a Young Man Fishing, c. 1768 (colour woodblock print)

Beauty Teasing a Young Man Fishing, c. 1768 (colour woodblock print)
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