Alarmed Prints

Feodor Chaliapin in the role of Boris Godunov, 1913 (b/w photo)
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Feodor Chaliapin in the rose of Boris Godunov, 1913 (b/w photo)
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Portrait of Man Ray and Salvador Dali, Paris, 1934 (gelatin silver print)
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The Trappers Last Shot (litho)
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Scene from Wife of Bath's tale
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Post-Impressionist Expressions
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Salmacis and Hermaphroditus (oil on canvas)
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The Frog-Prince, 1880 (watercolour heightened with white on paper)
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Self portrait, 1891 (oil on panel)
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The Battle of Cascina, or The Bathers, after Michelangelo, 1542 (oil on panel)
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Otahitiano, illustration from The Voyages of Captain Cook (w / c on paper)
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The Triumphant Britons, published by Hannah Humphrey in 1780 (hand-coloured etching)
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A band of workmen who were sawing down a toadstool rushed away leaving their tools behind
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The Rape of Europa, 1654-56 (oil on panel)
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A set of sixteen tiles arranged in pairs to form eight illustrations of
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Human Weaknesses, no. 1, 1840 (litho)
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Britomart Unarming, c. 1855 (oil on canvas)
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Portrait of Varvara Petrovna Vinogradova, 1909 (oil on canvas)
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Row in the Jungle, 1863 (w / c on paper)
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Curioser and Curioser (pencil with w / c on paper)
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The Hand-Writing upon the Wall, published by Hannah Humphrey in 1803
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An Old Woman and her Dog Startled by Male Company (pen & ink and w/c on paper)
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Glorious Reception of the Ambassador of Peace on his Entry into Paris
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Turk Mounted on Chestnut Coloured Horse, c. 1810 (oil on canvas)
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When he heard Peters voice he popped in alarm behind a tulip
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The Resurrection, 1862 (stained glass)
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Glorious Reception of the Ambassador of Peace on his Entry into Paris, pub
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Satan Alarm'd, c.1790s (watercolour, pen and ink & gouache, over pencil on laid paper)
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Physical Aid, or Britannia recovered from a trance: also
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Evacuation of Malta, published by Hannah Humphrey in 1803 (hand-coloured etching)
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Wide Awake, published by Hannah Humphrey in 1806 (hand-coloured etching) (see also 189788
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Caricature (oil on panel)
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When he heard Peters voice he popped in alarm behind a tulip
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Horror and Agony, copied from a photograph by Dr
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