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Lady with Flowers (oil on canvas)
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A Perspective View of the Magnificent Structure erected in the Green Park for the Royal
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Vanity, 1904 (oil on canvas)
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That face is better than all your songs, engraved by Noel le Mire (1724-1801)
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Lady Flora (w / c)
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Hasta la muerte, 1799 (etching, drypoint and aquatint)
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The Bouquet (oil on canvas)
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Maude In Green, (oil on canvas)
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Man on a balcony, Boulevard Haussmann, 1880 (oil on canvas)
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The Christmas Tree (black crayon, w / c & bodycolour on paper)
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The New Dress (oil on canvas)
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Lew Chew, 1855 (colour litho)
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Who Is Sylvia? What Is She, That All the Swains Commend Her?, c
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President Harry S. Truman (1884-1972) meeting General Douglas MacArthur (1880-1964
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Fed Up!, from The Light Side of Egypt, 1908 (colour litho)
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Tow Rows in the Temple, from The Light Side of Egypt, 1908 (colour litho)
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A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793
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La Photographie, Nadar (1820-1910) le grand (
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Le Lorgneur, engraved by Baquoi, plate no. 283 from
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The Palazzo Farnese, 1833 (etching with brown wash)
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The Capitoline Palazzi, 1833 (etching with brown wash)
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The Earl of Godolphins Roxana held by her jockey
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Pheidias and the Frieze of the Parthenon, Athens, 1868 (oil on panel) (detail of 3661)
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Caricature of the erection of the Obelisk at the Place de la Concorde, c
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Vanity, c. 1908-10 (oil on canvas)
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The Disciples Admire the Buildings of the Temple
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La Glace a Main, c.1905 (drypoint on cream coloured laid paper)
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Public Opinion (oil on canvas)
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Amor Omnia Vincit (w / c and gouache on paper)
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The Bicycle (oil on canvas)
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The Preparations (oil on panel)
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The Daughters of the Harem, 1921 (oil on canvas)
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Nude Sat with a Mirror; Nu Assis au Miroir, 1925-1930 (oil on canvas)
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Lovers of painting at an auction at Hotel Bouillon
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Poster advertising Whitworth Cycles, Paris (colour litho)
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The Sign Painter, 1872 (oil on canvas)
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King Cophetua and the Beggar Maid - Cartoon Study, 1883 (w / c on paper)
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Flappers with New Clothes, 1930 (screen print)
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Mutual Admiration, 1898 (oil on canvas)
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Teatime in the Garden, (oil on canvas)
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Miss Angel, Angelica Kauffman, Introduced by Lady Wentworth, visits Mr
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The Beautiful Evening, 1892 (woodcut)
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Bristol from Brandon Hill, 1825 (w / c over pencil on paper with scratching-out)
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In the Studio, (oil on canvas)
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Iridescence, c. 1895 (oil on canvas)
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Cupid and Psyche, 1817
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Forum Romanum, 1833 (etching with brown wash)
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The Palazzo Farnese, 1833 (etching with brown wash)
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The Palazzo Massimo, 1833 (etching with brown wash)
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The Temple of Peace, 1833 (etching with brown wash)
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Portico of the Villa Maecenas, 1833 (etching with brown wash)
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Porto di Ripa Grande and Ospizio di S. Michele, 1833 (etching with brown wash)
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A couple tending their private roof garden on a block in Tudor Street
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The Engagement Ring, 1897 (w/c on paper)
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Birmingham, Winner of The St Leger, 1830, engraved by R. G
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Horse and owner (colour litho)
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The 1st Gaslamp in Paris at Place du Carrousel in 1818 (engraving)
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The Cittern Player (oil on panel)
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A family surrounding the God of Longevity, end nineteenth century (colour litho)
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Advert for Whitworth Cycles, 1894 (colour litho)
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This Woman has Something I Like... In Her General Appearance!, 1850 (lithograph)
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Illustration from The Picture of Dorian Gray by Oscar Wilde (1854-1900)
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The Reading, (oil on canvas)
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The Fitting, (oil on canvas)
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An Elegant Lady Admiring a Portfolio of Prints, (oil on canvas)
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Men Admiring a Brand New Hudson Automobile, 1940 (screen print)
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La Toilette, (pastel on paper laid down on circular canvas)
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Three Persons Viewing the Gladiator by Candlelight, engraved by William Pether
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Shes Bound to Shine, c. 1885 (oil on canvas)
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The Secret Admirer, 1871 (oil on panel)
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Bedtime, 1909 (oil on panel)
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The Very Image, 1884 (oil on canvas)
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The Ninfeo of Egeria, 1833 (etching with brown wash)
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The famous cherry tree at Maruyama, Kyoto (hand coloured photo)
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Raphaels House on the Palatine, 1833 (etching with brown wash)
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Palazzo Caetani all Orso, 1833 (etching with brown wash)
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The Palazzo Borghese, 1833 (etching with brown wash)
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Temple of Fortune and Rest, 1833 (etching with brown wash)
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The Temple of Fortune, known as the Temple of Concord and the Temple of Jupiter Tonans
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The Belvedere Cascade, 1833 (etching with brown wash)
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The Looking Glass, (oil on panel)
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Poster advertising Le Quatrieme Salon Annuel de la Libre Esthetique
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Woman at her toilet, funerary scene, Samnite Period, 5th-4th century BC (wall painting)
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Maid helping her mistress undress aboard the RMS Scythia (b / w photo)
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