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John Quick and John Fawcett in Thomas Moretons The Way to Get Married

John Quick and John Fawcett in Thomas Moretons The Way to Get Married


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John Quick and John Fawcett in Thomas Moretons The Way to Get Married

XYC224070 John Quick and John Fawcett in Thomas Moretons The Way to Get Married, 1796 (oil on canvas) by Wilde, Samuel de (1748-1832); 73x65.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 22353622

© Bridgeman Images

Tricorn Hat Moreton


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EDITORS COMMENTS
In this photo print, we are transported back to the Georgian era as we witness a scene from Thomas Moretons' play "The Way to Get Married". The painting, skillfully executed by Samuel de Wilde in 1796, showcases two prominent actors of their time - John Quick and John Fawcett. Dressed in exquisite period costumes, Quick and Fawcett perfectly embody their respective characters within the interior setting. Their expressive faces and gestures bring life to the scene, immersing us into the world of theater during this era. One cannot help but be drawn to their attention-grabbing tricorn hats that add a touch of elegance and sophistication. These accessories were iconic symbols of fashion during the Georgian period and further enhance the authenticity of the portrayal. As we delve deeper into this artwork, it becomes evident that Wilde's meticulous brushstrokes have captured every intricate detail with precision. From the folds in their clothing to subtle nuances on their faces, each element contributes to an overall sense of realism. This remarkable piece is part of Yale Center for British Art's Paul Mellon Collection in America. Its presence within this esteemed collection speaks volumes about its historical significance and artistic merit. Through this print from Fine Art Finder, we are granted a glimpse into both theatrical history and visual artistry at its finest. It serves as a testament to how paintings can transcend time, allowing us to appreciate cultural moments long gone while still resonating with contemporary audiences today.

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