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Henry Fitzroy, 1st Duke of Grafton, 1663-1690. 1814 (engraving)
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Henry Fitzroy, 1st Duke of Grafton, 1663-1690. 1814 (engraving)
7236086 Henry Fitzroy, 1st Duke of Grafton, 1663-1690. 1814 (engraving) by Dunkarton, Robert (1744-1811); Private Collection; (add.info.: Henry Fitzroy, 1st Duke of Grafton, 1663-1690. Illegitimate son of King Charles II and Barbara Villiers, Duchess of Cleveland. Mezzotint engraving by Robert Dunkarton after a portrait by Sir Godfrey Kneller from Richard Earlom and Charles Turners Portraits of Characters Illustrious in British History Engraved in Mezzotinto, published by S. Woodburn, London, 1814.); © Florilegius
Media ID 25235408
© Florilegius / Bridgeman Images
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EDITORS COMMENTS
This engraving from 1814 depicts Henry Fitzroy, the 1st Duke of Grafton, who lived from 1663 to 1690. As an illegitimate son of King Charles II and Barbara Villiers, Duchess of Cleveland, Fitzroy's life was marked by his royal lineage and the intrigue that surrounded it. The mezzotint engraving was skillfully created by Robert Dunkarton after a portrait painted by Sir Godfrey Kneller. It is part of Richard Earlom and Charles Turner's collection titled "Portraits of Characters Illustrious in British History Engraved in Mezzotinto" published by S. Woodburn in London. Fitzroy's confident gaze and regal attire reflect his noble status within British society during the late seventeenth century. The intricate details captured through this engraving showcase both the artistry involved in its creation and the historical significance it holds. As we admire this print today, we are transported back to a time when England was undergoing significant political changes and societal transformations. This image serves as a reminder not only of Fitzroy's own story but also of the complex relationships between power, legitimacy, and identity within British history. Bridgeman Images has preserved this remarkable piece for us to appreciate centuries later. Through their dedication to fine art preservation, they allow us to delve into our past while simultaneously connecting with our present understanding of culture and heritage.
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