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Two gentlemen seated at a table (oil on canvas)
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Two gentlemen seated at a table (oil on canvas)
1147581 Two gentlemen seated at a table (oil on canvas) by Seton, John Thomas (c.1735-1806) (circle of); 102.8x102.8 cm; Private Collection; (add.info.: One, in a blue suit, traditionally identified as George Palmes (1776-1851), the other in red, with a decanter, glasses and a copy of the York Courant on the table); Photo eChristies Images; British, out of copyright
Media ID 23013824
© Christie's Images / Bridgeman Images
Conversation Piece Decanter Discussion Gentleman Gentlemen News York
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EDITORS COMMENTS
In this oil on canvas print, we are transported back in time to witness an intriguing scene unfolding before our eyes. Two gentlemen, elegantly dressed and seated at a table, engage in a lively discussion that seems to captivate their attention. The painting exudes an air of sophistication and refinement, as the men's refined attire and the carefully arranged objects on the table suggest. The man in the blue suit is traditionally identified as George Palmes, a figure of importance during his time. His posture exudes confidence and authority as he leans forward slightly, perhaps emphasizing a point or sharing an interesting piece of news from the copy of York Courant resting on the table. Meanwhile, his companion in red appears relaxed yet engaged in conversation. A decanter filled with wine stands proudly between them along with glasses ready for pouring. It is evident that these gentlemen appreciate both intellectual stimulation and fine beverages. This painting beautifully captures a moment frozen in time - one where ideas are exchanged freely over drinks amidst an atmosphere of elegance and intellectuality. As we gaze upon this remarkable artwork, we can't help but be drawn into their world - curious about what topics they discuss and how their conversation unfolds further. Overall, this exquisite piece by John Thomas Seton invites us to contemplate not only its aesthetic beauty but also the rich narratives it holds within its brushstrokes.
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