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The Groves of Versailles: View of the Entrance to the Maze with Birds, Nymphs and Cherubs

The Groves of Versailles: View of the Entrance to the Maze with Birds, Nymphs and Cherubs


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The Groves of Versailles: View of the Entrance to the Maze with Birds, Nymphs and Cherubs

XIR216953 The Groves of Versailles: View of the Entrance to the Maze with Birds, Nymphs and Cherubs, 1688 (oil on canvas) by Cotelle, Jean the Younger (1642-1708); 200x140 cm; Grand Trianon, Chateau de Versailles, France; (add.info.: view of the entrance to the maze with the cabinet of birds, nymphs and love; ); French, out of copyright

Media ID 22656448

© Bridgeman Images

Birdcage Bosquets Cage Cupid Entree Formal Gardens Labyrinth Nymph Cherub


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EDITORS COMMENTS
This print showcases "The Groves of Versailles: View of the Entrance to the Maze with Birds, Nymphs and Cherubs" by Jean Cotelle the Younger. Painted in 1688, this oil on canvas masterpiece measures an impressive 200x140 cm and is currently housed at the Grand Trianon within Chateau de Versailles, France. In this enchanting scene, we are transported to the entrance of a magnificent maze within the formal gardens of Versailles. The artist's attention to detail is evident as he skillfully portrays a cabinet filled with birds, nymphs, and cherubs. These whimsical creatures add an element of charm and playfulness to the composition. As our eyes wander through this labyrinthine setting, we can almost hear the chirping melodies from these feathered friends while admiring their beautifully crafted birdcage. The presence of nymphs further enhances the ethereal atmosphere created by Cotelle. With its meticulously manicured hedges and intricate pathways, this painting captures both nature's beauty and man's artistic prowess in shaping it. Cupid himself appears amidst these groves, reminding us that love knows no boundaries even within such structured surroundings. "The Groves of Versailles" invites us into a world where imagination thrives alongside meticulous garden design. This print allows us to appreciate every brushstroke made by Cotelle as we marvel at his ability to transport us into a realm where birds sing harmoniously with nymphs under cherub-guard

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