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Colonel Thorntons Jupiter, by Eclipse out of a Mare by Tartar, by a Fence
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Colonel Thorntons Jupiter, by Eclipse out of a Mare by Tartar, by a Fence
1197059 Colonel Thorntons Jupiter, by Eclipse out of a Mare by Tartar, by a Fence, with a Grey Mare, at Thornville Royal, 1792 (oil on canvas) by Gilpin, Sawrey (1733-1807); 134.6x175.3 cm; Private Collection; Photo eChristies Images; English, out of copyright
Media ID 23295184
© Christie's Images / Bridgeman Images
1790s 1792 Boundary Brown Brown Colour Colonel Courtesy Derby Divide Eclipse English Art English Artist English Pictures Equine Estate Etiquette Female Animal Fence Foliage Gilpin Greeted Hillside Hilly Hooved Mammal Horse Race Horse Racing Jupiter Late 18th Century Late Eighteenth Century Leg Raised Legs Raised Male Animal Manners Mare Military Position Military Rank Modern Traditional British Plant Part Position Race Horse Racing Horse Residence Separation Social Activity Stallion Strength Strong Tartar Thoroughbred Two Animals White Color 19th Century Painting Artist British British Artist Natural Space Sawrey Gilpin
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Colonel Thornton's Jupiter - A Majestic Racehorse in the English Countryside
EDITORS COMMENTS
. This oil painting, titled "Colonel Thornton's Jupiter" showcases a magnificent racehorse amidst the picturesque English countryside. Painted by Sawrey Gilpin in 1792, this artwork captures the essence of elegance and strength. In the foreground, we see Colonel Thornton's prized thoroughbred, Jupiter, standing proudly next to a graceful grey mare. The horses are framed by a rustic wooden fence that divides them from the vast natural space beyond. The hilly landscape and billowing clouds create a serene backdrop for this equine duo. Gilpin masterfully portrays both male and female animals with great attention to detail - their powerful physiques and sleek coats rendered flawlessly on canvas. With one leg raised mid-stride, Jupiter exudes an air of dynamism and speed. The artist skillfully combines elements of traditional British art with his own unique style, creating a composition that is both timeless and captivating. This late eighteenth-century masterpiece transports us back to an era when horse racing was not only a sport but also an integral part of British culture. As we gaze upon this remarkable piece, we cannot help but be captivated by its beauty and grace. It serves as a testament to the enduring allure of equestrian pursuits while offering us a glimpse into the rich history of English horsemanship.
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