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General View from the South and East Fronts of the Cottage at Endsleigh, Devon (Before) from Fragments on the Theory and Practice of Landscape Gardening, pub. 1816 (colour litho) (see also 103914)
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General View from the South and East Fronts of the Cottage at Endsleigh, Devon (Before) from Fragments on the Theory and Practice of Landscape Gardening, pub. 1816 (colour litho) (see also 103914)
STC103913 General View from the South and East Fronts of the Cottage at Endsleigh, Devon (Before) from Fragments on the Theory and Practice of Landscape Gardening, pub. 1816 (colour litho) (see also 103914) by Repton, Humphry (1752-1818); Private Collection; The Stapleton Collection
Media ID 27972984
© The Stapleton Collection / Bridgeman Images
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EDITORS COMMENTS
This print captures the enchanting beauty of the Cottage at Endsleigh in Devon, as seen from its south and east fronts. Taken before any alterations were made to its landscape, this image is a testament to the timeless allure of nature's untouched splendor. The vibrant colors brought to life through lithography transport us back to 1816 when Humphry Repton's renowned book "Fragments on the Theory and Practice of Landscape Gardening" was published. This publication revolutionized garden design, making Repton one of England's most influential landscape architects. In this scene, we are treated to a general view that showcases not only the cottage but also its surrounding elements. A picturesque river meanders gracefully through the frame, reflecting the serene sky above. The Duchess of Bedford herself must have found solace in these tranquil surroundings. A charming terrace adorned with delicate flowers adds an element of elegance and refinement to this idyllic setting. It invites visitors to pause and immerse themselves in nature's embrace while enjoying breathtaking views. This print serves as a window into history, allowing us to appreciate both Repton's visionary approach and the enduring appeal of landscapes carefully crafted by human hands alongside Mother Nature herself. As we gaze upon this masterpiece captured by Bridgeman Images, we can't help but be transported into a world where time stands still, inviting us to explore our own connection with nature's boundless wonders.
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