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The Gate of Calais, or O The Roast Beef of Old England (engraving)

The Gate of Calais, or O The Roast Beef of Old England (engraving)


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The Gate of Calais, or O The Roast Beef of Old England (engraving)

XJF397628 The Gate of Calais, or O The Roast Beef of Old England (engraving) by Hogarth, William (1697-1764); Private Collection; (add.info.: Hogarth was arrested while sketching at Calais in 1748, he can be seen far left; ); English, out of copyright

Media ID 12874059

© www.bridgemanart.com

Anti French Beggars Begging French Soldiers Friar Gates Gateway Guards Hungry Scrawny Starving Thin


EDITORS COMMENTS
This engraving by William Hogarth, titled "The Gate of Calais, or O The Roast Beef of Old England" offers a satirical glimpse into the social and political climate of 18th-century England. In this scene, we witness a group of French soldiers stationed at the gates of Calais during the Georgian era. Hogarth's keen eye for detail allows us to observe the stark contrast between these starving, scrawny soldiers and a plump friar who shamelessly begs for food. This striking juxtaposition highlights themes of poverty and inequality prevalent in society at that time. The artist himself can be seen on the far left side, as he was famously arrested while sketching in Calais in 1748. His inclusion within the artwork adds an intriguing layer to its narrative. Through his masterful use of caricature and satire, Hogarth delivers a biting commentary on both English anti-French sentiment and societal norms. The gate itself serves as a symbolic gateway into this world where guards stand watch over an entrance that separates two nations with vastly different circumstances. As we delve deeper into this thought-provoking piece, it becomes evident why Hogarth remains one of history's most celebrated artists. His ability to capture complex emotions through detailed engravings continues to captivate audiences today.

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