Fraud Blocker Skip to main content

Home > Fine Art Finder > Artists > William Hogarth

The Fellow Prentices at their Looms Representing Industry and Idleness, 1747 (wash

The Fellow Prentices at their Looms Representing Industry and Idleness, 1747 (wash


Framed Photos
Photo Prints
Jigsaw Puzzles
Poster Prints
Canvas Prints
Fine Art Prints
Metal Prints
Home Decor


We accept all major credit cards

Fine Art Finder

Wall Art and Photo Gifts from Fine Art Finder

The Fellow Prentices at their Looms Representing Industry and Idleness, 1747 (wash

XJF696737 The Fellow Prentices at their Looms Representing Industry and Idleness, 1747 (wash, pen and ink and graphite on paper) by Hogarth, William (1697-1764); British Museum, London, UK; (add.info.: Drawing for plate 1 of the series Industry and Idleness. Interior of a silk weavers in Spitalfields, London. Goodchild is working on the left and Idle, asleep after drinking too much beer, is on the right. Their master enters the room with a cane.); English, out of copyright

Media ID 12923875

© www.bridgemanart.com

Idle Idleness Loom Looms Master Moralising Plate 1 Spindle Spinning Wheel Spitalfields Weaver Weaving Workroom Workshop


EDITORS COMMENTS
This print captures a moment in time from William Hogarth's renowned series, "Industry and Idleness". Titled "The Fellow Prentices at their Looms Representing Industry and Idleness" this artwork showcases the stark contrast between two young apprentices in an 18th-century silk weaver's workshop. In this scene, the industrious apprentice named Goodchild diligently works on his loom on the left side of the image. His focused expression reflects his dedication to his craft and embodies the virtues of hard work and productivity. On the right side, we see Idle, who has succumbed to idleness after indulging in too much beer. He is fast asleep, oblivious to his responsibilities as a prentice. The presence of a cane-wielding master entering the room suggests that discipline awaits him upon awakening. Hogarth's meticulous attention to detail brings this scene to life, capturing not only the physical setting but also conveying moral messages through visual storytelling. This drawing for plate 1 serves as a reminder of Protestant values prevalent during that era—emphasizing diligence over laziness and highlighting societal expectations surrounding work ethics. Displayed within London's British Museum, this piece offers viewers a glimpse into Spitalfields' weaving industry while provoking contemplation about personal choices and their consequences. It serves as both a historical document and an artistic masterpiece that continues to resonate with audiences today.

MADE IN THE USA
Safe Shipping with 30 Day Money Back Guarantee

FREE PERSONALISATION*
We are proud to offer a range of customisation features including Personalised Captions, Color Filters and Picture Zoom Tools

FREE COLORIZATION SERVICE
You can choose advanced AI Colorization for this picture at no extra charge!

SECURE PAYMENTS
We happily accept a wide range of payment options so you can pay for the things you need in the way that is most convenient for you

* Options may vary by product and licensing agreement. Zoomed Pictures can be adjusted in the Cart.



redeem
Beautiful Photo Prints and Gifts
image
Professionally Printed
inventory
Photo Prints are in stock
thumb_up
Professional quality finish
diamond
Made with high-grade materials
inventory_2
Carefully packed to aid safe arrival



Related Images


The Shrimp Girl, c. 1745 (oil on canvas)
The Shrimp Girl, c. 1745 (oil on canvas)
Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving)
Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving)
Analysis of Beauty, Plate II, 1753 (engraving)
Analysis of Beauty, Plate II, 1753 (engraving)
The Sleeping Congregation, 1736 (engraving)
The Sleeping Congregation, 1736 (engraving)
Columbus Breaking the Egg, 1752 (engraving)
Columbus Breaking the Egg, 1752 (engraving)
Woman Swearing a Child to a Grave Citizen, c. 1735 (engraving)
Woman Swearing a Child to a Grave Citizen, c. 1735 (engraving)
The Times, Plate II (engraving)
The Times, Plate II (engraving)
The Times, Plate I, 1762 (engraving)
The Times, Plate I, 1762 (engraving)
Trade Card for Peter De la Fontaine, Goldsmith, c. 1790s (engraving)
Trade Card for Peter De la Fontaine, Goldsmith, c. 1790s (engraving)
Falstaff Examining his Recruits from Henry IV by Shakespeare, 1730
Falstaff Examining his Recruits from Henry IV by Shakespeare, 1730
Marriage a la Mode, Plate III, The Inspection, 1745 (engraving)
Marriage a la Mode, Plate III, The Inspection, 1745 (engraving)
Cunicularii or the Wise Men of Godliman in Consultation, 1726 (engraving)
Cunicularii or the Wise Men of Godliman in Consultation, 1726 (engraving)

+

Shipping

+

Choices

+

Reviews

+

Guaranteed