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Standing male nude, 1637-38 (red chalk, heightened with traces of white chalk

Standing male nude, 1637-38 (red chalk, heightened with traces of white chalk


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Standing male nude, 1637-38 (red chalk, heightened with traces of white chalk

2972707 Standing male nude, 1637-38 (red chalk, heightened with traces of white chalk, on buff laid paper) by Cecco Bravo (Francesco Montelatici) (1607-1661); 41x26.8 cm; The Art Institute of Chicago, IL, USA; George B. and Mary A. Young Fund; Harold Joachim Endowment; Italian, out of copyright

Media ID 23135798

© George B. and Mary A. Young Fund; Harold Joachim Endowment / Bridgeman Images


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> Arts > Art Movements > Baroque

> Arts > Artists > W > George White

> Arts > Artists > Y > Art Young

> Fine Art Finder > Artists > Cecco Bravo (1607-1661)

> Fine Art Finder > Artists > William Callow

> Fine Art Finder > Drawings & Studies


EDITORS COMMENTS
This print showcases the exquisite artwork of Cecco Bravo, also known as Francesco Montelatici. Titled "Standing male nude" this piece was created in 1637-38 using red chalk and traces of white chalk on buff laid paper. The dimensions measure 41x26.8 cm, making it a visually striking composition. The Art Institute of Chicago proudly houses this masterpiece, thanks to the George B. and Mary A. Young Fund as well as the Harold Joachim Endowment. This Italian artwork falls under public domain due to its age, allowing art enthusiasts worldwide to appreciate its beauty freely. In this baroque-style drawing, Bravo skillfully captures the essence of masculinity through his depiction of a standing male figure in all his nakedness. The artist's meticulous attention to detail is evident in every stroke and contour, showcasing his mastery over various artistic techniques. This study serves as a testament to Bravo's ability to convey raw emotion and vulnerability through his artistry. It invites viewers into an intimate exploration of human form and anatomy while celebrating the timeless beauty found within our own bodies. As we gaze upon this remarkable piece from Bridgeman Images' collection, we are reminded that nudity can be both powerful and delicate simultaneously—a true testament to the enduring allure of fine art throughout history.

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