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All Human Forms Identified... plate 99 from Jerusalem, 1804-20
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All Human Forms Identified... plate 99 from Jerusalem, 1804-20
XYC144697 All Human Forms Identified... plate 99 from Jerusalem, 1804-20 (etching printed in orange with pen and w/c on paper) by Blake, William (1757-1827); 22.2x15 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12725378
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Albion Humanity Prophetic Poetry Redemption Saved Allegorical Flames
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EDITORS COMMENTS
In this print titled "All Human Forms Identified. . . plate 99 from Jerusalem". William Blake invites us into a world of profound symbolism and spiritual exploration. The etching, printed in vibrant orange hues with delicate pen and watercolor touches, showcases the artist's mastery of his craft. As we gaze upon the image, we are immediately drawn to a central figure representing Albion, personifying England itself. Albion stands amidst swirling flames that symbolize the trials and tribulations faced by humanity. Yet, despite being surrounded by chaos and destruction, there is an undeniable sense of redemption present. Blake's prophetic poetry comes alive through this artwork as he explores themes of salvation and divine intervention. Through intricate allegorical details meticulously rendered on paper, he challenges us to reflect on our own journey towards enlightenment. The small size of the print adds to its intimacy; it beckons us closer to examine every minute detail carefully crafted by Blake's hand. It is within these details that we discover hidden messages waiting to be deciphered - whispers from another realm urging us towards self-discovery and understanding. Housed at Yale Center for British Art in their esteemed Paul Mellon Collection, this masterpiece continues to inspire viewers with its timeless message. As we contemplate "All Human Forms Identified. . . plate 99 from Jerusalem" let us embrace its invitation to explore our own humanity and seek redemption in a world often consumed by flames.
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