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Removing Worn and Rusted Buoys, Floats and Sinkers for Repair in Britain (w / c on paper)
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Removing Worn and Rusted Buoys, Floats and Sinkers for Repair in Britain (w / c on paper)
1214023 Removing Worn and Rusted Buoys, Floats and Sinkers for Repair in Britain (w/c on paper) by Hennell, Thomas Barclay (1903-45); 47.8x31.4 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English, out of copyright
Media ID 23559924
© Tyne & Wear Archives & Museums / Bridgeman Images
Buoy Buoys Crane Cranes Float Floats Removing Worn Rusted Sinker
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EDITORS COMMENTS
In this photo print, titled "Removing Worn and Rusted Buoys, Floats and Sinkers for Repair in Britain" we are transported to a bustling industrial landscape in early 20th century Britain. The image captures the laborious task of salvaging worn-out buoys, floats, and sinkers from the sea for much-needed repair. The composition is dominated by a towering crane that looms over the scene, its metal structure contrasting against the cloudy sky. A solitary figure can be seen suspended mid-air on a platform attached to the crane's arm, diligently working to detach one of the rusted objects below. This lone worker represents the resilience and dedication of those who labored tirelessly in dangerous conditions to maintain maritime safety. The photograph exudes an atmosphere of industry and hard work as it showcases both man-made structures and natural elements. The worn buoys scattered across the ground serve as a testament to their previous use at sea while also highlighting their need for restoration. With its impeccable detail captured through meticulous brushstrokes on paper by Thomas Barclay Hennell, this artwork offers us a glimpse into an important aspect of British history - one that reminds us of our reliance on maritime navigation systems. It serves as a poignant reminder that even seemingly insignificant objects like buoys play crucial roles in ensuring safe passage for ships at sea. Displayed at Laing Art Gallery in Newcastle-upon-Tyne, UK, this evocative piece invites viewers to reflect upon
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