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Ruins of a cathedral, 1810-65 (Pencil)
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Ruins of a cathedral, 1810-65 (Pencil)
7261705 Ruins of a cathedral, 1810-65 (Pencil) by Pretty, Edward (1792-1865); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Ruins of a cathedral. The ruins of a Cathedral dominates the background. In the foreground is a river or stream with a small stone bridge which joins a small stone building, which has only a small part visible to the courtyard of the Cathedral. A figure is walking across the bridge while another is sitting on a low wall; Drawing; Pretty, Edward.); © Maidstone Museum and Bentlif Art Gallery
Media ID 25301655
© Maidstone Museum and Bentlif Art Gallery / Bridgeman Images
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EDITORS COMMENTS
This black and white pencil print captures the haunting beauty of the "Ruins of a cathedral" by Edward Pretty. The image transports us to a time between 1810-1865, where we find ourselves standing in awe before the majestic remains of a once grand cathedral. The ruins dominate the background, their crumbling walls and broken arches telling stories of past glory. In the foreground, a river or stream flows peacefully, spanned by a small stone bridge that leads to an enigmatic stone building partially hidden from view. A figure walks across the bridge, adding a sense of scale and human presence to this desolate scene. Another person sits on a low wall nearby, perhaps contemplating the history and significance of these ancient ruins. Edward Pretty's meticulous pencil work brings out every intricate detail in this architectural masterpiece. The fine lines and shading create depth and texture, enhancing our experience as viewers. This illustration not only showcases Pretty's artistic talent but also serves as a reminder of the impermanence of human creations. It invites us to reflect on how even magnificent structures can be reduced to mere remnants over time. The print is part of Maidstone Museum and Art Gallery's collection in Kent, UK - an institution dedicated to preserving and showcasing works that capture moments in history through artistry like this one by Edward Pretty.
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