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No 5 The House of du Gourmon from the Wood on the Left
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No 5 The House of du Gourmon from the Wood on the Left
1268394 No 5 The House of du Gourmon from the Wood on the Left, 1815 (w/c & pencil on paper) by Dighton, Denis (1792-1827); National Army Museum, London; (add.info.: View of the south gate of the Chateau de Hougoumont, showing damage from the battle, Waterloo, 1815. From a series of nine landscape views of the battlefield of Waterloo painted shortly after the battle.); eNational Army Museum; English, out of copyright
Media ID 23106036
© National Army Museum / Bridgeman Images
Aftermath Battle Of Waterloo Battlefields Damage Damaged Exteriors Farmhouses Hougoumont Napoleonic Wars Bullet Hole Bullet Holes
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No 5 The House of du Gourmon from the Wood on the Left
EDITORS COMMENTS
is a captivating print that takes us back to the aftermath of the historic Battle of Waterloo in 1815. This artwork, created by Denis Dighton shortly after the battle, offers a haunting glimpse into the destruction and devastation caused by war. The image showcases the south gate of Chateau de Hougoumont, a significant location during the battle. The house of du Gourmon stands prominently amidst a landscape scarred by conflict. Bullet holes mar its exterior walls, serving as poignant reminders of the violence that unfolded here. The farmhouse itself appears weathered and worn, yet it exudes an undeniable resilience. Despite being damaged and surrounded by ruins, it still stands tall against all odds. Its presence symbolizes both human strength and vulnerability in times of war. Dighton's painting captures not only physical damage but also conveys a sense of loss and desolation that lingers long after battles end. It serves as a testament to those who fought bravely on this battlefield and reminds us of their sacrifices. This powerful artwork transports viewers back in time, allowing them to witness firsthand the consequences wrought upon landscapes and buildings during one of history's most significant conflicts – The Battle of Waterloo.
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