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Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c. 1350 (detached fresco)
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Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c. 1350 (detached fresco)
6365885 Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco) by Orcagna, Andrea di Cione (c.1308-68); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross: " Punishment of the Lustful", fragment from the cycle of detached frescoes " The Triumph of Death, Last Judgement and Hell", by Andrea Orcagna, about 1350); Ghigo Roli
Media ID 25163404
© Ghigo Roli / Bridgeman Images
Affresco Arte Arte Medioevale Basilica Basilica Di Santa Croce Basilica Of The Holy Cross Castigo Cristianesimo Demon Demone Devil Diavolo Firenze Gotico Hell Il Trecento Inferno Last Judgement Lucifer Lucifero Lust Lustful Medieval Art Opera D Arte Opera Darte Pittura Religione Satan Satana Toscana 1300s 14 14o Xiv Xivo Secolo 14 14th Xiv Xivth Century 14 Century Andrea Orcagna C14th Fourteenth Century Late 14th Century Punishment The 14th Century Xiv Century Xiv Secolo Xivth Century
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EDITORS COMMENTS
This print captures a fragment from the cycle of detached frescoes titled "The Triumph of Death, Last Judgement and Hell" by Andrea di Cione Orcagna. The artwork, created around 1350, is located in the Basilica of the Holy Cross in Florence, Italy. In this particular fragment known as "Punishment of the Lustful". Orcagna depicts a scene from hell where sinners are condemned for their lustful desires. The artist's mastery is evident in his ability to convey both physical torment and spiritual anguish through vivid colors and intricate details. The composition showcases demonic figures surrounding the lustful souls engulfed in flames. Each figure embodies an aspect of damnation, with Lucifer himself overseeing their punishment. The intensity of emotions portrayed on each face serves as a haunting reminder of the consequences that await those who succumb to earthly temptations. Orcagna's medieval art style reflects the religious fervor prevalent during that era. It not only serves as a visual representation but also conveys moral lessons about sin and redemption within Christianity. This remarkable artwork stands as a testament to Orcagna's talent and continues to captivate viewers centuries later. Its presence within the Basilica adds another layer of significance, reminding visitors of humanity's eternal struggle between desire and salvation.
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