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Bowl Depicting a Running Hare, c. 1000-25 (painted earthenware)
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Bowl Depicting a Running Hare, c. 1000-25 (painted earthenware)
3704112 Bowl Depicting a Running Hare, c.1000-25 (painted earthenware) by Islamic School, (11th century); 26 diameter cm; Metropolitan Museum of Art, New York, USA; (add.info.: earthenware: lustre-painted on opaque white glaze
As lustre painting spread to Egypt from Iraq, Fatimid potters tailored their wares to suit the new market. The lively, naturalistic rendition of a running hare with a palmette branch in its mouth drawn in golden lustre paint is typical of the vigorous and enchanting quality of Fatimid pottery. ); out of copyright
Media ID 23146292
© Bridgeman Images
Arabesque Branch Caliphate Dish Glazed Hare Lustre Painted Palm Palmette Scroll Scrolls Ceramics Luster
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EDITORS COMMENTS
This print showcases a remarkable artwork titled "Bowl Depicting a Running Hare" created by the Islamic School in the 11th century. The bowl, made of painted earthenware, measures 26 cm in diameter and is currently housed at the Metropolitan Museum of Art in New York City. The exquisite craftsmanship of this piece is evident through its lustre-painted design on an opaque white glaze. As lustre painting techniques spread from Iraq to Egypt, Fatimid potters adapted their creations to cater to the new market. The bowl features a vibrant and lifelike depiction of a running hare holding a palmette branch in its mouth, rendered with golden lustre paint. This portrayal exemplifies the dynamic and enchanting quality often found in Fatimid pottery. The intricate patterns adorning this dish include arabesque scrolls, leaf motifs, and decorative elements inspired by nature. Its ornate design reflects the artistic sensibilities prevalent during the Middle Ages in Africa and Egypt under Islamic rule. Through this photograph, viewers can appreciate not only the skillful execution but also gain insight into cultural influences that shaped Islamic ceramics during this period. The image captures both the beauty of this particular artwork as well as its historical significance within Islamic art history.
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