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Presumed Portrait of Francoise-Marie Pouget, second wife of Chardin, c.1760 (oil on canvas)
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Presumed Portrait of Francoise-Marie Pouget, second wife of Chardin, c.1760 (oil on canvas)
902380 Presumed Portrait of Francoise-Marie Pouget, second wife of Chardin, c.1760 (oil on canvas) by Aved, Jacques Andre Joseph Camelot (1702-66); 91.5x78.5 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: by Jacques Andre Joseph Aved)
Media ID 33069136
© Bridgeman Images
18th Century Fashion 18th Mode Art Fine Art Eighteenth Century Clothes Girkwd Oil On Wood Sat Down Spinning Spinning Mill Spinning Wheel Twirling 18e Siecle 18th Century 18th Centuries Oil On Panel Only One Person
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EDITORS COMMENTS
This print showcases the presumed portrait of Francoise-Marie Pouget, the second wife of Chardin, captured in oil on canvas by Jacques Andre Joseph Camelot Aved. The painting measures 91.5x78.5 cm and is housed in the Musee de la Ville de Paris, Musee Carnavalet, Paris, France. The artist skillfully portrays Francoise-Marie Pouget with exquisite attention to detail and color. Dressed in elegant 18th-century fashion, she exudes grace and sophistication. Her feminine allure is enhanced by her poised posture as she sits comfortably at a spinning wheel. The artwork transports us back to a time when spinning mills were an essential part of everyday life. It offers a glimpse into the world of French society during the 18th century, capturing both its beauty and complexity. Through this remarkable piece of art, we are invited to contemplate not only the individual depicted but also the broader historical context in which she lived. It serves as a testament to Aved's artistic prowess and his ability to capture not just physical likeness but also emotions and stories within his subjects. As we admire this stunning portrayal of Francoise-Marie Pouget, let us appreciate how art can transcend time and bring history alive before our eyes. This print from Fine Art Finder allows us to cherish this masterpiece for years to come without commercial use or any mention thereof – simply relishing in its beauty and significance within the realm of fine art.
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