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Alexandre Weill (1811-99) speaking nonsense (pen & ink on tracing paper)
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Alexandre Weill (1811-99) speaking nonsense (pen & ink on tracing paper)
CHT221528 Alexandre Weill (1811-99) speaking nonsense (pen & ink on tracing paper) by Baudelaire, Charles Pierre (1821-67); Bibliotheque Litteraire Jacques Doucet, Paris, France; (add.info.: Weill was originally from Alsave; settled in Paris in 1838; wrote at least 130 books; ); eArchives Charmet; French, out of copyright
Media ID 23210940
© Archives Charmet / Bridgeman Images
Alsatian Balzac Balzac Honore De 1799 1850 Doodle George Sand Heine Honore Balzac Journalist Polemicist Prolific Nerval
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EDITORS COMMENTS
The captivating print titled "Alexandre Weill (1811-99) speaking nonsense" captures the essence of a remarkable individual. Created by Charles Pierre Baudelaire, this pen and ink drawing on tracing paper showcases the enigmatic personality of Alexandre Weill, an Alsatian writer who settled in Paris in 1838. Weill's eccentricity is beautifully portrayed through this artwork, as he is depicted proferant des phrases incongrues or speaking nonsensical sentences. Known for his prolific writing career that spanned over 130 books, Weill was a philosopher, journalist, autodidact, and polemicist who had associations with renowned figures like George Sand and Gérard de Nerval. This image offers a glimpse into the world of French literature during the time when writers such as Honoré de Balzac were making their mark. Weill's Jewish heritage adds another layer to his intriguing persona. The doodle-like quality of Baudelaire's drawing further emphasizes the whimsical nature of Weill's character. Preserved within the Bibliotheque Litteraire Jacques Doucet in Paris, France, this photograph serves as a testament to both artistic brilliance and intellectual curiosity. It reminds us of the diverse range of individuals who contributed to literary history and invites us to explore their unique perspectives. As we delve into this image captured by Bridgeman Images from Fine Art Finder, let us appreciate not only its aesthetic appeal but also its ability to transport
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