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Backstage at the Season Opening Performance of the Morita Theater (Morita-za kaomise gakuya no zu, sanmai tsuzuki) (colour woodblock print)
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Backstage at the Season Opening Performance of the Morita Theater (Morita-za kaomise gakuya no zu, sanmai tsuzuki) (colour woodblock print)
5043808 Backstage at the Season Opening Performance of the Morita Theater (Morita-za kaomise gakuya no zu, sanmai tsuzuki) (colour woodblock print) by Kunisada, Utagawa (Toyokuni III) (1786-1865); Bristol Museum and Art Gallery, UK; (add.info.: One of Triptych. Backstage at the Movita-Za theatre, actors named in cartouches. Signed: Gototei Kunisada ga. Publisher: Nishimuraya Yohachi (Eijud?). Carver: Hagiwara Ranjir?. Actors: Sanokawa Hanatsuma IV, Ichikawa Yaoz? IV, Sakata Kinz?, Sawamura T?zabur?, Musician Tokiwazu Komojiday?, Actors Iwai Hanshir? V, Ichikawa Dansaku I, Ichikawa Sanzabur?, Morita Kan'ya IX, Ichikawa Matsutar?, Arashi Shinbei III, Ichikawa S?zabur? IV, Ichikawa Monzabur? II, Ichikawa Heijir?, Band? Mikiz?, Iwai Kamejir?, Iwai Tatsujir?, Onoe Senz?, Iwai Mzatsunosuke I, Ichikawa Danbei.); © Bristol Museums, Galleries & Archives ; Japanese, out of copyright
Media ID 23574182
© Bridgeman Images
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Backstage at the Season Opening Performance of the Morita Theater
EDITORS COMMENTS
. This print transports us to a vibrant world behind the curtains of the Morita Theater. The image, a colour woodblock print by Kunisada Utagawa (Toyokuni III), captures the bustling energy and anticipation that fills the backstage area during a season opening performance. The triptych composition reveals an array of actors, each meticulously named in cartouches, preparing for their roles. Their expressions range from focused determination to playful camaraderie, offering glimpses into their individual characters and personalities. The skillful use of color adds depth and richness to this snapshot in time. As we explore every corner of this image, we encounter not only actors but also musicians who bring life to the performances. From Sanokawa Hanatsuma IV to Ichikawa Danbei, these talented individuals are captured mid-action or deep in conversation with fellow performers. The attention to detail extends beyond just capturing faces; it encompasses costumes, props, and even instruments used by Tokiwazu Komojidayo and Bando Mikizo. This meticulousness highlights both Kunisada's artistic prowess as well as his dedication to faithfully representing this theatrical world. Through this remarkable artwork, we gain insight into both the artistry involved in traditional Japanese theater and its rich cultural heritage. It serves as a testament to the enduring power of live performance and reminds us that there is magic not only on stage but also behind it.
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