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The Pazzi Madonna (Virgin and Child), c1417-18 (marble)
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The Pazzi Madonna (Virgin and Child), c1417-18 (marble)
542799 The Pazzi Madonna (Virgin and Child), c1417-18 (marble) by Donatello, (c.1386-1466); (add.info.: Donatello (c1386-1466) Florentine sculptor. Italian.); Universal History Archive/UIG
Media ID 32012380
© Universal History Archive/UIG / Bridgeman Images
Blessed Virgin Blessed Virgin Mary Christ The King Donatello Florentine Holy Virgin Holy Virgin Mary Madonna And Child Madonna With Child Mary And Child Mater Dei Sculptor St Mary The Virgin Virgin And Child Virgin Mry Virgo Immaculata Biblical Charcter Biblical Figure Christ Jesus Jesus Of Nazareth Pazzi
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This print showcases the exquisite masterpiece, "The Pazzi Madonna (Virgin and Child)" by Donatello. Created between 1417-18, this marble sculpture is a testament to the genius of the Florentine sculptor. Donatello, an Italian artist born in 1386, left an indelible mark on the world of art with his exceptional craftsmanship. This particular artwork beautifully portrays the Virgin Mary cradling baby Jesus in her arms, radiating maternal love and divine grace. The sculpture's intricate details are brought to life through this high-quality print from Bridgeman Images. The smoothness of the marble and delicate facial expressions are captured flawlessly, allowing viewers to appreciate every nuance of Donatello's work. "The Pazzi Madonna" holds great religious significance as it depicts one of Christianity's most revered figures. It symbolizes not only the bond between mother and child but also represents devotion and faith. With its rich historical context and artistic brilliance, this print invites us into a world where beauty meets spirituality. It serves as a reminder that art has the power to transcend time and touch our souls deeply. Whether you are an art enthusiast or simply captivated by masterpieces that have stood the test of time, this image will undoubtedly leave you awe-inspired by Donatello's mastery in capturing both human emotion and divine presence within his sculptures.
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