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Triumph of the Catholic Church, Detail depicting the heretic Arius, 1365 (fresco)
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Triumph of the Catholic Church, Detail depicting the heretic Arius, 1365 (fresco)
AIS5365113 Triumph of the Catholic Church, Detail depicting the heretic Arius, 1365 (fresco) by Andrea di Bonaiuto (Andrea da Firenze) (fl.1343-77); (add.info.: Detail depicting the heretic Arius (256 - 336), Alexandrian priest at the origin of Arianism.
Fresco of the dome by Andrea Bonaiuto (or Bonaiuti) known as Andrea da Firenze (1343-1377) 1365 Santa Maria Novella, Cappelone degli Spagnoli (Chapel of the Spaniards), Florence); © Iberfoto
Media ID 32102752
© Iberfoto / Bridgeman Images
Florentino Frescoes Heresy Heretic Kneeled Down Middle Ages Medieval Murals Tuscan Late Middle Age Medieval Period Medioeval Middles Ages Only One Person
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EDITORS COMMENTS
This print captures a striking detail from the famous fresco "Triumph of the Catholic Church" by Andrea di Bonaiuto. The focal point of this particular section is the depiction of Arius, a heretic priest who played a significant role in the development of Arianism. Painted in 1365 on the dome of Santa Maria Novella's Cappelone degli Spagnoli (Chapel of the Spaniards) in Florence, Italy, this artwork showcases Bonaiuto's exceptional talent as a muralist. The vibrant colors and intricate details bring to life the medieval period and its religious conflicts. Arius is portrayed kneeling down, emphasizing his submission to divine authority despite his unorthodox beliefs. This portrayal highlights both his significance within Christianity and his status as an outcast due to his heretical teachings. As we gaze upon this mesmerizing image, we are transported back in time to witness not only an artistic masterpiece but also a pivotal moment in Christian history. The artist's skillful brushstrokes capture every nuance of emotion on Arius' face, reminding us that even amidst controversy and division, faith remains central. This photograph serves as a testament to the power art holds in preserving historical narratives while evoking deep contemplation about religion and its complexities. It invites viewers to delve into centuries-old debates surrounding orthodoxy versus heresy while appreciating Bonaiuto's contribution to Italian Renaissance artistry.
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