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Salmacida Spolia - The King and Masquers: second version (for the King), 1640 (brown ink & grey wash over graphite on paper)
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Salmacida Spolia - The King and Masquers: second version (for the King), 1640 (brown ink & grey wash over graphite on paper)
7239692 Salmacida Spolia - The King and Masquers: second version (for the King), 1640 (brown ink & grey wash over graphite on paper) by Pearce, Edward the Elder (fl.1630-d.1658); The Devonshire Collections, Chatsworth; © The Devonshire Collections, Chatsworth. Reproduced by permission of Chatsworth Settlement Trustees
Media ID 24783292
© The Devonshire Collections, Chatsworth. Reproduced by permission of Chatsworth Settlement Trustees / Bridgeman Images
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This print showcases "Salmacida Spolia - The King and Masquers: second version (for the King)" a remarkable artwork created by Edward Pearce in 1640. The piece, rendered in brown ink and grey wash over graphite on paper, is part of The Devonshire Collections at Chatsworth. The image depicts an exquisite scene filled with elegance and grandeur. A group of masqueraders, adorned in elaborate costumes, gathers around a regal figure who represents the king. Each character exudes a sense of mystery and intrigue as they engage in lively conversation amidst opulent surroundings. Pearce's meticulous draughtsmanship is evident in every stroke, capturing intricate details that bring this historical moment to life. From the delicate folds of fabric to the expressions on each face, his skillful hand creates a visual narrative that transports viewers back to the 17th century. This print offers art enthusiasts an opportunity to appreciate Pearce's talent while also showcasing the rich collection held at Chatsworth. With permission from Chatsworth Settlement Trustees, this reproduction allows us to delve into history and explore the beauty found within these masterpieces. Whether you are drawn to fine art or simply fascinated by historical depictions, this image invites you to immerse yourself in a world where creativity meets royalty.
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