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Presume portrait of Madame Boyer Fonfrede and her son Henri (1788-1841)

Presume portrait of Madame Boyer Fonfrede and her son Henri (1788-1841)


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Presume portrait of Madame Boyer Fonfrede and her son Henri (1788-1841)

JLJ4652101 Presume portrait of Madame Boyer Fonfrede and her son Henri (1788-1841). Painting by Francois Andre Vincent (1746-1816) 1796 Sun. 0, 96 x 0, 79 m by Vincent, Francois Andre (1746-1816); Louvre, Paris, France; (add.info.: Presume portrait of Madame Boyer Fonfrede and her son Henri (1788-1841). Painting by Francois Andre Vincent (1746-1816) 1796 Sun. 0, 96 x 0, 79 m); Photo ePhoto Josse; French, out of copyright

Media ID 23330574

© Josse / Bridgeman Images

Apple Bourgeoisie


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EDITORS COMMENTS
This print showcases a presumed portrait of Madame Boyer Fonfrede and her son Henri, painted by the talented artist Francois Andre Vincent in 1796. The painting, measuring 0.96 x 0.79 meters, is currently housed in the Louvre Museum in Paris, France. In this exquisite artwork, we witness a tender moment between mother and child. Madame Boyer Fonfrede gazes lovingly at her young son Henri as he holds an apple in his hand. Their elegant attire and sophisticated hairstyles reflect their status within the bourgeoisie society of the 18th century. The artist's attention to detail is remarkable; every brushstroke captures not only their physical features but also their inner essence. This intimate portrayal reveals the bond between mother and child, emphasizing the importance of family ties during that era. The inclusion of fruit symbolizes abundance and prosperity while hinting at botany and natural history—a testament to both scientific curiosity and artistic expression prevalent during this period. Through this stunning piece of art, we are transported back to a time when childhood was cherished, mothers were revered figures, and French society thrived with cultural refinement. It serves as a reminder of our rich heritage and provides us with an opportunity to appreciate the beauty captured by Francois Andre Vincent over two centuries ago.

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