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Pottery: pipe earth (fine faience). The Englishman John Astbury (1688-1743
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Pottery: pipe earth (fine faience). The Englishman John Astbury (1688-1743
XEE4143743 Pottery: pipe earth (fine faience). The Englishman John Astbury (1688-1743) came to the house of the brothers John Philip and David Elers to steal from them the secret of the new white faience. Engraving from 1885 in " Les arts et metiers illustres" by Adolphe BITARD. by Unknown Artist, (19th century); Private Collection; (add.info.: Pottery: pipe earth (fine faience). The Englishman John Astbury (1688-1743) came to the house of the brothers John Philip and David Elers to steal from them the secret of the new white faience. Engraving from 1885 in " Les arts et metiers illustres" by Adolphe BITARD.); Stefano Bianchetti; out of copyright
Media ID 22293502
© Stefano Bianchetti / Bridgeman Images
Bandit Handicraft Malefactor Manufacturing Technology Treason
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EDITORS COMMENTS
This print showcases a moment in history filled with intrigue and betrayal. The image depicts the fine faience pottery created by John Astbury, an Englishman who sought to steal the secret of white faience from brothers John Philip and David Elers. In this 19th-century engraving by an unknown artist, we witness the tension between craftsmanship and deceit. The composition captures the essence of this historical event, as Astbury is portrayed as a bandit attempting to pilfer the knowledge that could revolutionize ceramic manufacturing technology. His presence evokes feelings of treachery and cunning, contrasting with the delicate beauty of the pottery itself. The black-and-white aesthetic adds depth to this narrative, emphasizing both the gravity of Astbury's actions and his place within British history. The image serves as a reminder that even in seemingly peaceful realms such as artistry and handicrafts, human nature can lead individuals down paths tainted by dishonesty. As viewers delve into this photograph, they are transported back to a time when secrets were guarded fiercely and acts of deception held great consequences. It stands as a testament to not only the ingenuity of these craftsmen but also their determination to protect their innovations from those who would seek to exploit them for personal gain. Overall, this print offers us a glimpse into an intriguing chapter in British ceramics history while reminding us of humanity's complex relationship with creativity and ambition.
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