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Portrait of Sister Simplice - Illustration by Gustave Brion (1824-1877) for "

Portrait of Sister Simplice - Illustration by Gustave Brion (1824-1877) for '


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Portrait of Sister Simplice - Illustration by Gustave Brion (1824-1877) for "

XEE4150076 Portrait of Sister Simplice - Illustration by Gustave Brion (1824-1877) for " The Miserables - First part: Fantine" by Victor Hugo (1802-1885) 1862 by Brion, Gustave (1824-77); Private Collection; (add.info.: Portrait of Sister Simplice - Illustration by Gustave Brion (1824-1877) for " The Miserables - First part: Fantine" by Victor Hugo (1802-1885) 1862); Stefano Bianchetti; French, out of copyright

Media ID 22747984

© Stefano Bianchetti / Bridgeman Images

Hugo Religious Good Sister


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EDITORS COMMENTS
This print, titled "Portrait of Sister Simplice" is an exquisite illustration by Gustave Brion for Victor Hugo's renowned novel, "Les Misérables". Created in 1862, this artwork beautifully captures the essence of the character Sister Simplice from the first part of the book, Fantine. The engraving depicts a young woman dressed in religious attire, representing her role as a nun. With delicate features and eyes filled with compassion, she exudes a sense of serenity and devotion. The artist's attention to detail is evident in every stroke; from the intricate folds of her habit to the subtle shading that adds depth to her expression. Sister Simplice symbolizes purity and selflessness within a world plagued by poverty and injustice. As one delves into Hugo's masterpiece, they will encounter this character who embodies unwavering faith and kindness amidst adversity. This print transports us back to 19th-century France when literature was intertwined with artistry. It serves as a visual reminder of the power that lies within storytelling and its ability to inspire empathy across generations. Whether you are an admirer of French literature or simply appreciate fine art, this enchanting portrait invites you to explore the depths of human emotion through both words and imagery.

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