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Portrait of Epicure (341 BC - 270 BC), Greek philosopher, founder of epicurism

Portrait of Epicure (341 BC - 270 BC), Greek philosopher, founder of epicurism


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Portrait of Epicure (341 BC - 270 BC), Greek philosopher, founder of epicurism

GIA4815977 Portrait of Epicure (341 BC - 270 BC), Greek philosopher, founder of epicurism. Baracco Museum, Rome. by Greek or Roman; Museo Barracco, Rome, Italy; (add.info.: Portrait of Epicure (341 BC - 270 BC), Greek philosopher, founder of epicurism. Baracco Museum, Rome.); eGiancarlo Costa; out of copyright

Media ID 23342540

© Giancarlo Costa / Bridgeman Images

Intellectual Philosophy Antique Greece Grece


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EDITORS COMMENTS
This print showcases the timeless portrait of Epicure, a renowned Greek philosopher and the esteemed founder of epicurism. Captured by Giancarlo Costa, this image beautifully captures the essence of intellectual pursuit and artistry. Displayed at the Baracco Museum in Rome, Italy, this ancient carving is an archaeological treasure that takes us back to the era of antique Greece. The intricate details carved into the stone bring forth a sense of reverence for one of history's greatest thinkers. Epicure's philosophy emphasized seeking pleasure and tranquility as essential components for a fulfilling life. This portrait serves as a visual representation of his profound ideas and contributions to human understanding. The photograph highlights every delicate line etched into Epicure's face, revealing wisdom beyond his years. It invites viewers to ponder upon his teachings and delve deeper into their own philosophical inquiries. As we gaze upon this remarkable piece from centuries ago, we are reminded that knowledge transcends time and space. It serves as a reminder that even in our modern world, where technology reigns supreme, there is still much wisdom to be gained from ancient minds like Epicure. Giancarlo Costa skillfully captures both the historical significance and artistic beauty within this photograph print. Through his lens, he allows us to appreciate not only the physicality but also the intellectual depth behind each stroke on this masterpiece from antiquity.

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