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Portrait du graveur Francesco Bartolozzi (1728-1813). Peinture de Anton Raphael Mengs (1728-1779), huile sur toile. Art allemand, 18e siecle, classicisme. State art Gallery, Lviv (Ukraine)
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Portrait du graveur Francesco Bartolozzi (1728-1813). Peinture de Anton Raphael Mengs (1728-1779), huile sur toile. Art allemand, 18e siecle, classicisme. State art Gallery, Lviv (Ukraine)
FIA5374211 Portrait du graveur Francesco Bartolozzi (1728-1813). Peinture de Anton Raphael Mengs (1728-1779), huile sur toile. Art allemand, 18e siecle, classicisme. State art Gallery, Lviv (Ukraine). by Mengs, Anton Raphael (1728-79); Lviv State Picture Gallery, Ukraine; Photo © Fine Art Images
Media ID 24693902
© Fine Art Images / Bridgeman Images
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EDITORS COMMENTS
This portrait print showcases the renowned engraver Francesco Bartolozzi, captured in exquisite detail by the skilled hand of Anton Raphael Mengs. Painted during the 18th century, this German artwork exemplifies the classicism movement that was prevalent at the time. The oil on canvas masterpiece is currently housed in the State Art Gallery in Lviv, Ukraine. The gallery's collection boasts an impressive array of artworks from various periods and styles, making it a must-visit destination for art enthusiasts. In this particular painting, Bartolozzi's face exudes a sense of contemplation and introspection. His eyes seem to gaze into eternity as he ponders his craft and perhaps even his place within the artistic world. Mengs masterfully captures every nuance of emotion on Bartolozzi's visage, showcasing his talent not only as an engraver but also as a painter. The vibrant colors used by Mengs bring life to this portrait, enhancing its visual impact. Every stroke of paint adds depth and dimension to Bartolozzi's features, making him appear almost lifelike. As we admire this remarkable piece of artistry through Fine Art Images' lens, we are transported back in time to witness both Mengs' skillful technique and Bartolozzi's profound presence. It serves as a testament to their enduring legacy within the realm of fine arts and reminds us why portraiture continues to captivate audiences centuries later.
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