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The pope, the nobility, the merchants and the army plotting on the backs of the people

The pope, the nobility, the merchants and the army plotting on the backs of the people


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The pope, the nobility, the merchants and the army plotting on the backs of the people

LSE4076686 The pope, the nobility, the merchants and the army plotting on the backs of the people (a peasant) - Antipapist cartoon, 16th century by Unknown Artist, (16th century); Bibliotheque des Beaux-Arts, Paris, France; (add.info.: The pope, the nobility, the merchants and the army plotting on the backs of the people (a peasant) - Antipapist cartoon, 16th century); Photo eLeonard de Selva; out of copyright

Media ID 22313346

© Leonard de Selva / Bridgeman Images

Anticlericalism Protestant Protestantism Christendom


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EDITORS COMMENTS
This 16th-century print, titled "The pope, the nobility, the merchants and the army plotting on the backs of the people" offers a thought-provoking glimpse into societal power dynamics during that era. Created by an unknown artist, this antipapist cartoon sheds light on prevalent sentiments of anticlericalism and criticism towards religious authorities. In this image, we see a peasant figure burdened by the weight of four influential groups: the pope, nobility, merchants, and army. Symbolically depicted as sitting atop his back, these entities appear to be conspiring against commoners for their own gain. The composition cleverly highlights how those in positions of authority exploit and manipulate ordinary individuals to maintain their control. The artist's use of caricature adds depth to this visual narrative. By exaggerating certain features and characteristics associated with each group - such as papal regalia or noble attire - they emphasize their distinct roles in perpetuating social inequality. Displayed at Bibliotheque des Beaux-Arts in Paris, France today (photo credit: Leonard de Selva), this artwork serves as a historical testament to tensions within Christendom during a time when Protestantism was emerging as an alternative to Catholicism. It invites viewers to reflect upon power imbalances that persist throughout history and consider how they may resonate with contemporary society. As we explore this intriguing piece further through its intricate details and symbolism, it encourages us to question authority figures' motives while reminding us of our responsibility in

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