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Charles Martel arrested Muslims at the Battle of Poitiers in 732

Charles Martel arrested Muslims at the Battle of Poitiers in 732


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Charles Martel arrested Muslims at the Battle of Poitiers in 732

XEE4415027 Charles Martel arrested Muslims at the Battle of Poitiers in 732. Chromolithography of the 19th century. by French School, (19th century); Private Collection; (add.info.: Charles Martel arrested Muslims at the Battle of Poitiers in 732. Chromolithography of the 19th century.); Stefano Bianchetti; French, out of copyright

Media ID 22856508

© Stefano Bianchetti / Bridgeman Images

Buckwheat Charles Martel 688 741 Islamic Religion Muslim Religion Umayyad Bianchettf Chromolithography Chromo


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EDITORS COMMENTS
This chromolithography print from the 19th century depicts a pivotal moment in history - Charles Martel arresting Muslims at the Battle of Poitiers in 732. The French School artist skillfully brings to life this significant event, showcasing their mastery of color and detail. The battle itself was a clash between Charles Martel, also known as "The Hammer" and the Umayyad Caliphate's forces. It marked a turning point in European history, halting the Muslim advance into Western Europe. This image captures the intensity and bravery displayed by both sides during this fierce combat. Charles Martel, depicted as a powerful king, stands tall amidst the chaos of battle. His resolute determination is palpable as he confronts his adversaries head-on. The Muslim soldiers are portrayed with equal vigor and valor, highlighting their unwavering commitment to their faith. Through this artwork, we glimpse into an era defined by religious conflict and territorial disputes. It serves as a reminder of how historical events shape our present reality and emphasizes the importance of understanding our shared past. As we admire Stefano Bianchetti's remarkable interpretation of this historical moment, let us reflect on its significance within France's rich tapestry of medieval history. This print not only celebrates artistic excellence but also invites contemplation about cultural exchange and resilience throughout time.

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