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Affaire des Poisons: Madame de Brinvilliers (Marie Madeleine d Aubray
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Affaire des Poisons: Madame de Brinvilliers (Marie Madeleine d Aubray
XEE4405239 Affaire des Poisons: Madame de Brinvilliers (Marie Madeleine d Aubray, Marquise de Brinvilliers, 1630-1676) testing her poisons on the sick of the Hotel Dieu. by Unknown Artist, (19th century); Private Collection; (add.info.: Affaire des Poisons: Madame de Brinvilliers (Marie Madeleine d Aubray, Marquise de Brinvilliers, 1630-1676) testing her poisons on the sick of the Hotel Dieu.); Stefano Bianchetti; out of copyright
Media ID 22759838
© Stefano Bianchetti / Bridgeman Images
Hospital Occult Science Poison Witchcraft Collection Lemage
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This 19th-century print captures a chilling scene from the infamous "Affaire des Poisons" in France. The subject of the image is Madame de Brinvilliers, also known as Marie Madeleine d'Aubray, Marquise de Brinvilliers (1630-1676), who was involved in one of the most scandalous criminal cases of her time. In this intriguing artwork, we witness Madame de Brinvilliers testing her deadly poisons on the unsuspecting patients at Hotel Dieu. The artist remains unknown, but their skillful engraving brings to life the dark and sinister atmosphere surrounding this historical event. The Affaire des Poisons was a series of poisonings and witchcraft accusations that rocked French society during the 17th century. It revealed a network of individuals involved in occult practices and illicit activities. Madame de Brinvilliers played a central role in this scandalous affair, using her knowledge of toxic substances to commit heinous crimes. Through this print, we are transported back in time to witness an eerie moment within the walls of Hotel Dieu—a renowned hospital turned into a macabre laboratory for experimentation with lethal concoctions. Stefano Bianchetti's expert restoration has preserved every intricate detail for us to explore. As we gaze upon this haunting image, we are reminded of the darker side of human nature and how it can manifest even within seemingly respectable institutions like hospitals. This print serves as both a historical record and a cautionary
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